A Quote by Pete Docter

But the truth is, at some point, our films - almost every single one of them - are really bad. And it's largely hats off to John Lasseter and Ed Catmull who have set up a system whereby they're expecting it.
I always get hats but never have the nerve to wear them. Hats are a thing that are really stylish, but you have to have the confidence to pull it off.
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
You never learn anything in school. Think about how many car accidents happen every day. Driver’s ed? What’s up? I still haven’t been to driver’s ed because if everybody I know has been in an accident, I can’t see how driver’s ed is really helping them out.
I'm a big fan of the Pixar movies, and Ed Catmull, who wrote a book about his experiences producing them, talks about how it takes three or four years to get it right.
I'm considered to some degree a successful director working in Hollywood, making films my way but using studio financing. But with almost every single one, I get praised up the wazoo by people who never would have financed the films. It's: "Gee, this movie is so new and different - what do you want to do next?" "This." "Oh, that's too new and different."
Watching John Lasseter's films, I think I can understand better than anyone that what he's doing, is going straight ahead with his vision and working really hard to get that vision into film form. And I feel that my understanding this of him is my friendship towards him.
When you watch a tea ceremony, every single movement, every single gesture is very calculated. It's very precise, and it's all protocol. It's all a part of the system. And it's almost like they've sacrificed every single thing to make that perfect. It's like their craft.
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
One of the capabilities, which seems to be the most difficult for aspiring leaders to maste is realistic optimism. It requires one to recognize that our experience of life is largely up to us, that our situations, good or bad, are largely due to our ability on a moment-to-moment basis to capitalize on opportunity. Those that approach life as if it is largely outside of their own control, or that others are largely to blame for their circumstances, generally find growth elusive.
I would like to see every single soldier on every single side, just take off your helmet, unbuckle your kit, lay down your rifle, and set down at the side of some shady lane, and say, nope, I aint a gonna kill nobody. Plenty of rich folks wants to fight. Give them the guns.
I hate hats! Hats just give you really bad hair! I had a hat sometimes. Frankly, you get burnt so much anyway, it's beside the point. And when you're walking into the western sun, no hat in the world is going to save your face and neck from being sizzled.
All I wanted to do was be a professional film director with a body of work, and you're going to make some good films, some bad and some indifferent. You don't set out to make a dog, you set out to make something good. But I like them all.
When I was a little girl, I grew up in Connecticut. Ed and Lorraine Warren's home was not too far from mine. 'The Conjuring' films are based on them; Ed and Lorraine were real people who made a museum in their home.
We have some role in almost everything that happens in our lives. When "bad" things happen, the mistake is not in the role, but in calling them bad. For in calling them bad, we call ourselves bad, since we had a role in their creation. We then have only two choices: blame ourselves, or disown our creative power, neither of which is congruent with our highest purpose.
I bought almost every single thing that I furnished my house with at the Salvation Army in Hawaii. All second hand. Some of them are kind of retro, and some of them you'd never know.
I'm in this business to make films, not get deluded by the system. The system is set up to give you a headache.
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