A Quote by Pete Docter
And usually I'm not watching the screen. I'm kind of sitting and looking off to the side, spying on people to see what they react to' cause it's - as Joe Ranft used to say, you know, animation is like telling a joke and waiting for three years to see if anyone laughs
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I'm very interested in telling darker stories that maybe you are not used to seeing in animation. Especially because in animation you don't see those kind of stories.
I was just sitting in Target, just getting over my cold. I blew my nose and I see these people looking at me and kind of whispering and pointing. Finally, I went, 'Is everything okay? Did I do something wrong? Do I have a booger on my face and no one's telling me?' I'm just not used to it.
I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.
I don't ever judge somebody by what comes out of their mouth 'cause I don't know what they're thinking. Sometimes people might just say things just to see how you react about it. People might say things to you just to try to throw you off your game. Doesn't necessarily mean they're a racist.
When you watch an audience watching my movies, you realize that nobody laughs at the same time. Some people enjoy a beat, and then another group of people are laughing at a sight gag, and then someone laughs where nobody laughs before. They're not timed like a comedy. You're not supposed to laugh at every joke. You decide.
I'm sitting, waiting to get on the freeway, and I'm waiting my ass off. I look over at the side of the road, and there's a hitchhiker with a sign and it says, 'Pick me up, and you can drive in the carpool lane.' I got to tell you, he was kind of smelly, but he was a good conversationalist.
Well when I made my first record I thought it would be a good joke to have me on one side, have the lable say John Fahey on one side, and this guy Blind Joe Death on the other side.
My idea of a good picture is one that's in focus and of a famous person. People are only glamorous if you don't see them. Like the movies used to make people years ago. There is something about people on screen that makes them so special; when you see them in person, they are so different and the whole illusion is gone.
I think there's definitely much more opportunities for women now to find a role in 30s and 40s both. I think you're starting to find people really seeing that - here's the thing. It's hard for me to say and know the experience how it was ten, twenty years ago because I was only in my teens and my 20s, but I know from watching TV myself and watching film myself I see a lot more 30s and 40s on screen, which just makes me very, very happy. It's what we should be watching.
I work and I volunteer at North Shore Animal League, so I'm at a shelter environment every single week. And I see these senior pets sitting there looking, craning their necks looking outside of their cages waiting for their person to come back. So I always say check out the adult animals that are there first.
On the Tube, you never see anyone looking you in your eye. They're all looking down at their screen.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
When I was a kid watching wrestling, that's kind of how it was. You had these long feuds and storylines, and you just got more and more interested, and you wanted to see where it was going to go. You wanted to see the big blow-off match, and I like that stuff because that's what I grew up watching.
When you're sitting in the theater watching your own work be performed, you get to see people's reactions immediately. Unlike with a book, you don't have to wait for responses. That's very satisfying. Unless it's a joke that falls flat.
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
That's why I like to get out there, and get people to see the other side of Mitt, and know us in a different reflection when you see the family and how funny he is with the boys and with the grandkids. And you know, just what a super guy he is. That's part of what I am doing, is letting people see the other side of Mitt.
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