A Quote by Pete Docter
I knew that there was an upcoming screening where not only were we going to show it to everybody else at the studio, we also needed to move into production... And yet I was sitting there in editorial going this is not working. I'm a failure.
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I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.
At MGM, you knew you were going to be working next year; you knew you were going to get paid. But I was too ambitious musically to settle for it. And I wanted to gamble with whatever talent I might have had.
But as a result of that, there was, once the show ended, there was this talk for sort of four, five months about what was going to happen, and if we were going to move to Showtime, and if we were going to be bought by ABC or whatever.
Just by default, because I don't have kids on my bus, I'm putting the studio on my bus. Where everybody else is doing their cribs on their bus, I'll have a little studio, so I'm going to invite my bandmates, on days off, to come and keep writing so we can continue the creative process and keep it going through the tour.
People of my generation knew we needed to move beyond that, the racial division and segregation and unsustainable social relations, that were unfair to millions of people. But it didn't mean that we were going to become a big government liberal.
My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.
I think I was probably looking for gay role models when I was younger, before I even knew or thought I was gay. I didn't really make the connection that they were gay, but I felt drawn to them because they were going against the grain, and I knew there was something that they had that everybody else didn't have. It was an edge.
I spent a long time in London on the stage, and you knew exactly what you were going to be doing. You not only knew the performance, but you also knew exactly where you would stand.
When I was 25, I was in a show called 'Bajour,' and I was going to leave the show because I couldn't breathe. I couldn't sing, and I couldn't do the basic dance steps I had to do. Fortunately, two actors in the production - who were also yoga instructors - taught me some breathing exercises, and my asthma was cured that day.
People are going to move in and out of their office, and they're going to move up or get fired. All kinds of things happen like that, in real life. And, we're always going to have crime, unfortunately. If we didn't, then I wouldn't have a new show.
When you put a movie together, you're continually screening it for yourself and you're screening it for other people. It's like a video game power meter. When the power bar starts going down, you've gotta look at what's going on.
Leading up to a live event you need to do your homework and go to bed early. Sometimes it's very tempting to go out with everybody else, They're all going to a party or going out for a nice meal and you think 'oh well I'd like to go', but sometimes you think 'no, if I'm going to be sitting in front of a camera under a light in everybody's home tomorrow I don't want big bags under my eyes and not really know what I'm talking about'.
They studio were flabbergasted when they discovered how interested everybody was in 'those old people.' And now many upcoming projects feature older people; it's become a trend.
The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.
You can't just be talented: You have to be terribly smart and energetic and ruthless. You also have to become necessary to people, by working hard and well and bringing more than your bones and your skin to the project. Don't just show up. Transform the work, yourself, and everybody around you. Be needed. Be interesting. Be something no one else can be--and consistently.
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