A Quote by Pete Docter
When I was in fifth grade - so, about 11 - my folks moved us to Denmark. And so not only did I have all new friends and all new surroundings, I didn't even understand what they were talking about, which was very difficult and kind of started me, I think, on my path to animation.
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And so not only did I have all new friends and all new surroundings, I didn't even understand what they were talking about, which was very difficult and kind of started me, I think, on my path to animation. It was a lot easier to draw people than to talk and interact with them.
So this idea of moving seemed like a good way to sort of represent that metaphorically. It also is something for me personally. When I was in fifth grade - so about 11 - my folks moved us to Denmark.
I think the good thing about 'Take Me Out', which is kind of a compliment to us really, is that when it started doing well round about the second series and people started getting into it, all of a sudden every time you turned over a channel there's a new dating show on.
My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.
I did not come from an academic background. My father was a smart man, but he had a fifth-grade education. He and all his friends were plumbers. They were all born around 1905 in great poverty in New York City and had to go to work when they were 12 or 13 years old.
New York City revived around the team. I don't think you can look at the recovery of New York from the 1970s without, on some level, talking about Steinbrenner. Even if you're just talking about the feel of the city, he was part of a creation of a new sense of optimism.
The cool thing is, when we first did our joint Ring Of Honour-New Japanies Wrestlers, I think that definitely existed. I think the ROH guys were like, "we can't let these New Japan guys outshine us" the new japan guys were ready to make a statement as it was this really big event in America. But the cool thing about this relationship is we've literally become a family now. A lot of us are friends with each. We obviously respect each other.
If I were an immigrant Latino not born in the US, I could not have written Searching for Whitopia: An Improbably Journey to the Heart of America book. And that is because many of the Whitopians would not have been comfortable talking about their views on immigration, talking about their views on taxes. And they wouldn't have spilled to me the new script on race and poverty as they did.
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
My folks were very practical. They were also kind of able to think outside of the box. They were not going to let circumstance paralyze them. They knew sometimes you just had to take some new initiative. I think they passed that on to all of us... If you don't find a way, you make one.
Things were fine in elementary school, but when I moved schools in grade three, not only was I the new kid, I was the new kid with the skin condition.
I started rapping because my mom died when I was about 11 years old, and I was a very rebellious kid. I've been kicked out of every school I've ever been in since 6th grade on, expelled and dropped out in the 11th grade. Music was the only thing that I could really use to express myself, so I started rapping.
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
I never said a word against eminent men of science. What I complain of is a vague popular philosophy which supposes itself to be scientific when it is really nothing but a sort of new religion and an uncommonly nasty one. When people talked about the fall of man, they knew they were talking about a mystery, a thing they didn't understand. Now they talk about the survival of the fittest: they think they do understand it, whereas they have not merely no notion, they have an elaborately false notion of what the words mean.
Let's stop talking about new taxes and start talking about creating new taxpayers, which basically means jobs.
I studied physics 12 in summer school after I completed grade 12. Did I enjoy it initially? No, I had found physics difficult since grade 11, and I struggled a lot. Did I learn from it? Yes, and as I improved, I started enjoying it more.
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