A Quote by Pete Wentz
It's strange - there's a public persona of me that does nothing for me: the side of me where it's 'US Weekly,' where 12 cars sit outside my house because of who I married. That side never shuts off. I would like that to shut off sometimes, yes.
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The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
I've been booed off the field, and I've been carried off the field by people cheering me. So I've seen both ends of it, and I can tell you the bad side of it gets a lot more attention than the good side does, but the good side is pretty darned good when it's on your side.
Paparazzi will sit outside my house to see where I'm going, and when they see it's the studio, they'll be like, "This is boring," and drive off. But you'd never catch me dancing on tables in public. I have no desire to be known for my personal life.
Usually what happens is somebody grabs me and they always pull me off to the side. Nobody ever does it publically. They say, "I didn't want to be here." Or, "I don't usually like people like you." Or, "I didn't believe the things you actually talked about would work. I'm here to tell you that you converted me." That happens a lot.
What really ticks me off is how the public figures you automatically become the roles you play. What most people never see is the silly side of me.
Let me live in my house by the side of the road, Where the race of men go by; They are good, they are bad; they are weak, they are strong, Wise, foolish,--so am I; Then why should I sit in the scorner's seat, Or hurl the cynic's ban? Let me live in my house by the side of the road, And be a friend to man.
I never thought that was even possible, to have your friends working with you. In the music, yes, in the creative side, yes, but in the business side, I need people who take me fully seriously.
People just put out stuff that has nothing to do with me sometimes and I'm just like, "What is that?" It's here today, gone tomorrow. It don't really throw me off my path 'cause I've been doing this since I was 12.
I've thrived on people writing me off. Because if you write me off, I'll shut you up.
Yet part of me also thinks the whole idea makes perfect sense. The three of us, leaving our differences behind, stepping on the plane together, sitting side by side, lifting off, moving West to reach the East.
Nothing troubles me. I offer no resistance to trouble - therefore it does not stay with me. On your side there is so much trouble. On mine there is no trouble at all. Come to my side.
For me, it's good to have those dissimilar modes of songwriting sit side-by-side on a record, because they yield such different results.
Someone on the Scottish side of the family got me one and I never took it off. I would be down the country park playing in a Celtic strip in England.
Funny but, for me, the Bible was a hobby before it was a serious study. It was the thing I'd sneak off and do on the side, feeling rather guilty because I wasn't doing my real school homework or whatever... and never thinking I would make it a life's work.
What made me so different is they would use me all over the place instead of the traditional tight end where you're taking off right next to the left tackle or right tackle. They would split me out wide and put everybody on the other side and throw me jump balls, they'd throw slants.
I lapsed into my pathetic cut-off period. Often with humans, both good and bad, my senses simply shut off, they get tired, I give up. I am polite. I nod. I pretend to understand because I don’t want anybody to be hurt. That is the one weakness that has lead me into the most trouble. Trying to be kind to others I often get my soul shredded into a kind of spiritual pasta. No matter. My brain shuts off. I listen. I respond. And they are too dumb to know that I am not there.
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