A Quote by Peter Berg
It's always an interesting sort of adventures that gets someone into a movie.
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We have a society that's trying to make sure that nobody gets any adventures because adventures are dangerous and danger is bad.
hen Baillie [Walsh, writer and director] wrote the movie for me I wasn't doing what I'm doing today, so when we actually came to make the movie it seemed silly to change it. But who knows? That's the way things go. What was interesting for me - and what was always interesting in the script - was that you've got someone who appears to have everything, or at least has the opportunity to have everything, and he's f**ked it up, or lost it.
What's interesting is that you can have a set that's very calm, very smooth, very cooperative... and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film - it's interesting in that way.
The last Christmas movie I really liked was 'It's a Wonderful Life,' probably. It's sort of a schmaltzy movie, but it's not without its dark moments. It still gets to me every year.
I like the scene in the first 'Scream' movie where Sidney gets up, and dusk is falling, and she's looking out at the hills of Santa Rosa, there where it was filmed, and that's where you sort of hear her theme being played out. I always liked that moment because, to me, it became more than just a horror movie.
If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.
A movie is like a tip of an iceberg, in a way, because so little of what you do in connection with making a movie actually gets into the movie. Almost everything gets left behind.
The first thing I ever thought of when I thought of Buffy , the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.
I'm sticking to what I've always said, either the right movie gets made or no movie gets made.
I think it's a lot more interesting to watch a character go through a transition in a movie. You love her and then you almost want to not like her because she gets mean and gets 'lost' and everything.
Readers will always insist on adventures, and though you can have grief without adventures, you cannot have adventures without grief.
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
It's always very interesting to bet who's going to go first and who is going to have the most unbelievable death. It's always fun to play with that and create more expectation. It's an interesting part of horror movie.
Don't adventures ever have an end? I suppose not. Someone else always has to carry on on the story.
I was always obsessed with the 'Adventures of Buckaroo Banzai,' this weird little cult movie. There was this promised sequel before the end credits - 'Buckaroo Banzai Against the World Crime League' - and I knew instinctively they were never going to make that movie, because the first one had made, like, $8 at the box office.
There are so many adventures that you miss because you're waiting to think of a plan. To find them, look for tiny interesting choices. And remember that you are always making up the future as you go.
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