A Quote by Peter Drury

It had to go in, but it didn't. — © Peter Drury
It had to go in, but it didn't.

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Peter Drury
Born: 1968
We were constantly together. Anybody who had a boyfriend had to go through the Go-Go's first. It was a little too close for comfort after a while.
I used to be brave. In the past, I've opened a restaurant, had a record label, had my daughter and it was go, go, go with all of these.
When I was at Villa and I was captain there and I had the opportunity to go to City, it played on my mind I wouldn't be as pivotal. So initially I didn't want to go, but a lot of things happened behind the scenes and I realised I had to go.
I had to get in touch with the source, I had to go back into my abandonment issues with my mother, I had to go into issues with my father I hadn't even looked at before.
When I was doing 'A Disappearing Number' in Plymouth, we had to go on an hour and a half late, and I still hadn't written an end, so we had to make one up, and then we had to go out literally with our pants round our ankles.
Go-go is so drum and Congo based. It's almost like music from Africa. The drums like on 'Planet Paradise' are deeply African-rooted. It's really bouncy and the same speed as go-go music. That's an example of the influence go-go had on me.
I was three years old. I had a go-kart that my dad had on a leash so I would not go too quick.
Tito Santana was one of the hardest working guys in the business. When Tito used to make that comeback, the people went crazy because he had so much fire. He had so much damn energy. He could just go and go and go.
I need to talk to Lena" There it was. I'd finally said it. The one thing that had kept me from being able to exhale all day. The thing that had made me feel like I couldn't sit down, like I couldn't stay. Like I had to get up and go somewhere, even if I had nowhere to go.
I had a lot of friends, family friends, that had season tickets, and we'd all go when we were little kids. And you'd go after you played your own baseball game and change out of your uniform in the parking lot of Dodger Stadium to go put on street clothes and go watch the game.
I usually get so warned when I go to Detroit, like, 'Oh my God, don't go to this section, don't go to that section.' I've never had any issues in Detroit. I love that there's enough of a racial mix of people to make fun of. I've always had a good time there.
There were days on that show where I had to go in and record a song, then I had to rehearse the dance for that song, and then I had to go and shoot a separate scene. That would be one day. So yeah, it was about the value of time and being prepared, and not to freak out.
I was trying to be 27 at age 47, but God had to get rid of my vanity. I had trouble letting go of the old Lex physically. My human fleshly nature didn't want to let go of what had come to be billed as 'The Total Package.' I guess God had to help me get rid of the last remnant of that vanity and pride.
I guess I just always had this idea that I would go to Hollywood. I had the typical 'get up and go' attitude that you have to have in order to make the brave step into the big city.
Before the United States, there wasn't really anyplace anybody could go. They had to seek refuge in other ways. After the United States was founded, it became the place you go, and the people who came assimilated into a single culture that was shared in a way. Everything the left claims to want is exactly what this country started out doing. It was multicultural, we had the Italians, we had the Irish, we had everybody.
I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.
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