A Quote by Peter Dundas
I'm really working on trying to get that lifestyle aspect of the Emilio Pucci house to be as strong as possible.
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The year before was my first collection for Emilio Pucci, and I was just starting the job and working in his Renaissance Palazzo, where Pucci is headquartered, so that inspired me. I found this image in the book. It was an old image of Emilio Pucci hanging out by the seaside with all of these women, and that's exactly how I used to think about this house - more of a lifestyle thing. This beautiful life. So I'm really working on that.
I want Pucci woman to be a Pucci girl. That's number one, because I think she should have that vibe that corresponds with today. Emilio Pucci - the house is, I think, 63 years old now. It's an old house. The Pucci woman from the beginning would be 80 years old or something today, so I've kind of had to update her.
Emilio Pucci obviously I think it's one of the best houses in Italy - and one of the most legendary ones as well. That's why I came here. I also like the idea of working with a house that has a history that you can collaborate and exchange ideas with in the way you would with another person.
That's always my downfall - when I start not having fun or not feeling passionate about what I'm doing. But that's why I love Emilio Pucci. There are some design houses that operate on a more intellectual level, but the way Pucci has always worked is more spontaneous and instinctual.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
I love lifestyle stuff, I love housewares. I'm really a homebody, honestly. Anything to do with my kitchen, or my house, I'm all about it. I'm working on a sauce line, so that's kind of exciting. I'm a saucier.
A coach can't be concerned with the poor ballplayer. If the player can't make it, he's got to be out right away. It's a very tough aspect of coaching, and in this aspect I was weak. Also, some guys get fat on coaching, they get healthy and strong, but other guys get ulcers.
The only lifestyle I'm promoting is the lifestyle of love and friendship. The lifestyle of music, and joy, and fashion. So whoever wants to come and get part of that lifestyle, we accept anybody.
I enjoy collaborating with creative people and trying to get the best image possible to convey a feeling or story. Plus, I get flown all over the world to exotic places. How can you lose interest in that? It's a great lifestyle. I can take vacations whenever I want, and no two shoots are ever the same.
I started skateboarding at around age 10, and enjoyed the artistic aspect of it as much as the sporting aspect, so for me it was more of an art form and a lifestyle.
There's the conforming 9-to-5-lifestyle thing. Then there's, like, settling down, trying to find a balance in a relationship sense, or having a dog and having a house. All these things, like, they're not really gonna make you happy.
I remember Emilio [Estevez] and I were at John's house during the rehearsal process. And John [Huges] had mentioned he wrote the first draft of Breakfast Club in a weekend. And we both at the same time went, "First draft? How many do you have?" And John said he's got four other drafts. And we go, "Can we read them?" And for the next three hours, Emilio and I read those other four drafts.
Trying to get people to face reality and see the world the way it really is is an absolutely critical aspect of leadership, in my view.
I was trying to spend it as quickly as possible. Because I'm so lazy, all that money created a block. I was flying around the world, staying at fancy hotels, having fun and trying to get rid of it as quickly as possible, so I could get on with some more work.
I'm strong-willed. Architects are strong-willed. You get the best results with a strong client and a strong architect working together.
There are people who say that if you are told that your house has fallen you don't ask what about the ceiling or what about the windows. The main thing is that this house, Africa, has fallen. Literature is just one aspect, pick any aspect of the situation.
