A Quote by Peter Greenaway
There is no obligation for the author of a film to believe in, or to sympathise with, the moral behaviour of his characters. Nor is he necessarily to be accredited with the same opinions as his characters. Nor is it necessary or obligatory for him to believe in the tenet of his construction - all of which is a disclaimer to the notion that the author of Drowning by Numbers believes that all men are weak, enfeebled, loutish, boorish and generally inadequate and incompetent as partners for women. But it's a thought.
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A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.
I believe strongly in an author's moral responsibility. But his first obligation is to write good books.
Aschenbach is not only a projection of Mann in the obvious ways - same daily routines, author of the works Mann had planned - nor even in sharing his author's aspirations, doubts, and sexual identity. His watchword, "Durchhalten!" [persevere, keep going] could be Mann's own.
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
The author can always delve into his own personality and find aspects of himself with which he can dress his characters.
Writing is transmogrifying, not just for the reader but also for the author; an author becomes someone he or she isn't by living the lives of his or her characters.
Writing is a vocation and, as in any other calling, a writer should develop his talents for the greater glory of God. Novels should be neither homilies nor apologetics: the author's faith, and the grace he has received, will become apparent in his work even if it does not have Catholic characters or a Catholic theme.
His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
It is always a tense moment for an author to see how someone hasillustrated his or her story, because the author has lived for so long with these characters, sometimes for years.
The thought of the novelist lies not in the remarks of his characters or even in their introspection but in the plight he has invented for his characters - in the juxtaposition of those characters and in the lifelike ramifications of the ensemble they make: their density, their substantiality, their lived existence actualized in all its nuanced particulars, is in fact his thought metabolized.
A dogmatical spirit inclines a man to be censorious of his neighbors. Every one of his opinions appears to him written, as it were, with sunbeams, and he grows angry that his neighbors do not see it in the same light. He is tempted to disdain his correspondents as men of low and dark understandings because they do not believe what he does.
I have never wanted a family. I don't believe in marriage, though I obviously believe it should be legal for everyone who wants to do it. But it is not something I believe in, nor do the characters in my book, nor do any of my friends.
The fanatical Communist refuses to believe any unfavorable report or evidence about Russia, nor will he be disillusioned by seeing with his own eyes the cruel misery inside the Soviet promised land. It is the true believer's ability to "shut his eyes and stop his ears" to facts that do not deserve to be either seen or heard which is the source of his unequaled fortitude and constancy. He cannot be frightened by danger, nor disheartened by obstacles, nor baffled by contradictions because he denies their existence.
As in no other form of lute or combat, the conditions are such; the winner takes nothing, neither his ease, nor his pleasure, nor any notion of glory, nor if he wins far enough, will he find anything within himself.
The author's opinions do not necessarily coincide with his point of view.
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