A Quote by Peter Greenaway

Many quite popular films are filled with violence. I think the difference between those and my films is that I show the cause and effect of violent activity. It's not a Donald Duck situation where he get a brick in the back of the head and gets up and walks away in the next frame. Mine have violence which keeps Donald Duck in the hospital for six months and creates a trauma which he will remember for the rest of his life.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
When I was nine years old I use to copy ( not trace ) the covers of the Donald Duck comics. Many years later I became a close friend of Jack Hannah, the director of the Donald Duck film shorts.
When I was nine years old I use to copy - not trace - the covers of the Donald Duck comics. Many years later I became a close friend of Jack Hannah, the director of the Donald Duck film shorts.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
It's strange the way people hear and see things. Like going to films - ?violent films. To me, seeing violence in a film makes me hate the violence. But there's beauty in violence if it's put over the right way.
I will not tire of declaring that if we really want an effective end to violence we must remove the violence that lies at the root of all violence: structural violence, social injustice, exclusion of citizens from the management of the country, repression. All this is what constitutes the primal cause, from which the rest flows naturally.
Death strode away, stopped, and came back. He pointed a skeletal finger at The Duck Man. WHY, he said, ARE YOU WALKING AROUND WITH THAT DUCK? "What duck?" AH. SORRY.
A duck walks into a bar and the bartender asks, what'll it be? The duck doesn't answer because it's a duck.
Gundar seemed to come to a decision. "Well, as my old mam used to say, if it looks like a duck and quacks like a duck and walks like a duck, it's probably a duck." "Very wise," Halt said. "And what exactly do your mother's words of wisdom have to do with this situation?" Gundar shrugged. "It looks like a channel. It's the right place for a channel. If I were digging one, this is where I'd dig a channel. So. . ." "So it's probably the channel?" Selethen said. Gundar grinned at him. "Either that or it's a duck.
If it looks like a duck, walks like a duck and quack like a duck, then it just may be a duck.
The party and the Krikkit warship looked, in their writhings, a little like two ducks, one of which is trying to make a third duck inside the second duck, whilst the second duck is trying very hard to explain that it doesn't feel ready for a third duck right now, is uncertain that it would want any putative third duck anyway, and certainly not whilst it, the second duck, was busy flying.
That’s the tricky thing about love. It walks like a duck, quacks like a duck, and smells like a duck. But after you sleep with it a month or so, or get dumped at the altar by it, it starts smelling more like a skunk.
I find that a duck's opinion of me is influenced by whether or not I have bread. A duck loves bread, but he does not have the capability to buy a loaf. That's the biggest joke on the duck ever. If I worked at a convenience store, and a duck came in and stole a loaf of bread, I would let him go. I'd say, "Come back tomorrow, bring your friends!" When I think of a duck's friends, I think of other ducks. But he could have, say, a beaver in tow.
All kinds of violence on the TV. You're not supposed to watch violence on the TV. Children, they can't watch it 'cause they're afraid maybe the kids will copy something they see on the TV. I can't even get a funny cartoon anymore because some 12-year-old somewhere watched a particularly violent episode of the Road Runner-Coyote show, and the next day, they found him at the bottom of a canyon, two giant springs strapped to his feet.
This is certainly not to excuse the violence that exists on TV and films and on the Internet. But the truth is that wherever you go in Europe, there are American films and TV shows that are just as popular as at home. And you don't have that sense of violence in any other place other than America.
I don't feel comfortable with violence, and I'm not sure that I film violent scenes properly, and it's something I'm reticent to do, and yet violence is sort of in all of my films.
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