A Quote by Peter Greenaway

Cinema ceases to be passive and becomes active: you, the audience, are now, in some senses, in charge of the filmmaking process. You have all got mobile phones, you have all got cam recorders, and you've all got laptops, so you're all filmmakers.
You've gotta take care of the body you've got. You've got to be fit. You've got to be active. You've got to be healthy. We don't need to be pictures in a magazine.
Mobile phones are the only subject on which men boast about who's got the smallest.
I got a imam, I got a rabbi, I got a priest, I got a reverend - I got 'em all. But I don't want to be holier-than-thou. I want to help everybody and still get some (sex).
You got to have two things to win. You got to have brains and you got to have balls. Now you've got too much of one and not enough of the other.
I've got about 27 gigs right now. I've got radio, I've got television, I've got The Washington Post.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
When I first went on Britain's Got Talent I was famous for my cheap suit, my wonky teeth and the fact that I sold mobile phones for a living.
I think right now there's more TV shows than ever. You've got network, you've got cable, you've got Netflix, you've got Hulu, even Amazon is putting out original content. So there's a lot of opportunities to find fans. You don't have to have a huge audience. You can cater to the people that like your stuff. So there is a boom in comedy and television and stand-up too through podcasting and all the different talk shows.
My family, my mom in particular, got so much love and appreciation from the audience. As a consequence, I have also got some of that love. I now have to work doubly hard to prove that I deserve it, on my own, also.
First of all, the American people are inundated with advertisement after advertisement of you buy, buy, buy. You've got to have the latest thing. The iPad 1 isn't any good anymore, you've got to have the iPad 2. The iPhone 4, now you've got to have iPhone 4S. Now you've got to have the 5b, now you've got to have the 6c.
Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.
The institutions are working better now, the banks are much more functional. At this time, 1997, there were no mobile phones! It's a whole different thing now with mobile phones: technology has created a form of regulation, because people can actually talk to each other a lot more.
You simply cannot do a sitcom by committee. It will not work. You've got to have one or two clean, creative voices in charge, and there's got to be some faith by the studio and network in those people to make the right choices.
The code that most prisoners live by is an extension of the masculine roles they were taught growing up, how they were conditioned about what it means to be a man: you've got to be strong, you've got to be tough, you've got to be in charge.
You've got to avoid overcoaching. You've got to avoid talking too much. You've got to avoid showing players that you're the boss every time. You don't have to do that. They know you're in charge.
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