A Quote by Peter Greenaway

English culture is highly literary-based. — © Peter Greenaway
English culture is highly literary-based.
My English is closer to the literary English, and I'm not very familiar with jokes in English or with, you know, with small talk in English.
The literary culture, if you examine it, the high literary culture is that which preserves the government and you know it's really the talk for those who have.
Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.
We all have inherited so many types of fears, whether they're race-based, culture-based, gender-based, age-based, family-based. And then we get comfortable with these fears.
So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.
As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
For example, we have developed an artistic and a literary culture. Nevertheless, the ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
For decades, as literary editor, I have followed the growth of our creative writing in English. In my Solidaridad Bookshop, half of my stock consists of Filipino books written in English and in the native languages.
I'm not sure that the culture of literary prizes is always a good thing, but while there are literary prizes, it's nice to be nominated.
I had found English audiences highly satisfactory. They are the best listeners in the world. Perhaps the music-lovers of some of our larger cities equal the English, but I do not believe they can be surpassed in that respect.
The main differences between contemporary English and American literature is that the baleful pseudo-professionalism imparted by all those crap M.F.A. writing programs has yet to settle like a miasma of standardization on the English literary scene. But it's beginning to happen.
The film culture has no room for ideas. The literary culture has some room, but not less than they should, and the academic culture has a lot, but there's no way to communicate it in a wide way.
The post-Second World War simple system of social democracy and organized labour has fragmented massively, but just because people aren't organized in workplace trade unions doesn't mean they aren't in associations with other people - work-based, place-based, culture-based, sport-based, faith-based - there's a bit of an old rainbow coalition argument.
Through my youth, there was imposed on us a culture relentlessly English. English books were all you could buy; English television filled our screens, and in consequence, England seemed to matter in a way that our world didn't.
I love England and I love English culture, particularly English pop culture.
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