A Quote by Peter Jackson
I don’t really like the Hollywood blockbuster bandwagon that exists right now. The industry and the advent of all the technology, has kind of lost its way. It’s become very franchise driven and superhero driven.
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The way the world is going, it's technology driven. And it isn't just driven by the old super powers, it's driven by the far east and new emerging economies.
If the whole U.S. was like Silicon Valley, we'd be in good shape. But now, the entire U.S. is not driven by technology, is not driven by innovation.
We live in a technology-driven world so I want to ensure our educational system teaches in a technology-driven way.
I'm a pretty driven person, and I've accepted that about myself. For a long time, I was like, 'I'm a very laid-back person, I grew up in the country,' but I'm also very driven, otherwise I wouldn't be where I am right now.
The mania started with insomnia and not eating and being driven, driven to find an apartment, driven to see everybody, driven to do New York, driven to never shut up.
I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.
I think because of the iPhone and the fact that we now have a ubiquitous internet, our creativity in the startup space is 10 times different. Every single industry, every single market, is going to be technology-driven in some way. There's an infinite opportunity for startups because now you can go and solve problems that previously looked like they had nothing to do with technology.
I had enormous self-image, problems and very low self-esteem, which I hid behind obsessive writing and performing. It's exactly what I do now except I enjoy it now. I'm not driven like I was in my twenties. I was driven to get through life very quickly.
You dream that you want to be a monster maker when you grow up, and that's what happened. I refused to take no for an answer. I just was a very driven kid, who's now a very driven semi-adult.
I've always thought of the project as a sort of sexually driven digestive system, that it was a consumer and a producer of matter. And it is desire driven, rather than driven by hunger or anything like that.
I have felt that there's a lot of receptiveness to female stories now. I think some of it has a little bit - a lot of it is economically driven and driven by, just, kind of studios wanting to check that box because now they know they have a woman problem that they need to solve.
I think the only thing that we know how to do is look at our characters and ask what is the character doing right now and what do we need to do, and tell it from that place. If we really make it character driven and theme driven, I think we're going to offer up something new for the audience.
I see the first 'Bourne' movie as really kind of a fulcrum in changing the modern action film, where things are really gritty and really character-driven. Think about how the entire Bond franchise was completely radicalized by Bourne.
Any time we are answer-driven rather than idea driven, we have lost the true meaning of education.
Vampires are very sexy right now. It's kind of disgusting. It's kind of a bandwagon.
Our industry is so technologically driven that often I Skype with directors or send tapes in to people. It's so common now that sometimes even when I'm here I'll be send tapes for things that are based in the U.K. There's never really a right place, right time anymore. Even something that's L.A. based, the director might be in New York or they might be on location in Budapest. I think everyone's really accepting of the fact that people are all over the world all the time. In a funny way, you can be an actor now and live anywhere, so long as you have internet.
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