A Quote by Peter Jackson

What I love about films is that you can see "King Kong" and you can be affected by it and then you realize that he was just this little guy when he made that fall. — © Peter Jackson
What I love about films is that you can see "King Kong" and you can be affected by it and then you realize that he was just this little guy when he made that fall.
When we're children we're told love is going to be great: Just fall in love, the rest will take care of itself - and then we fall in love and we realize, Okay, this is actually really, really hard work. This guy doesn't just tell me I'm great every day, you know?
I mean, of course "King Kong" is a metaphor for the slave trade. I'm not saying the makers of "King Kong" meant it to be that way, but that's what, that's the movie that they made - whether they meant to make it or not.
I want to make movies just like "King Kong." You know, dinosaurs, big gorillas - it's everything that a nine year-old boy would fall in love with.
A lot of people seem to get carried away that something that's made out of paper mâché is going to be better than not. And I always thought the original King Kong, that terrible little puppet with its hair going in all directions, was far more magical than Peter Jackson's incredibly beautifully rendered King Kong. So there's something to be said for a more primitive version of things. I think it's because it makes the audience work a little bit more, because you've got to invest it with life and reality, so I like doing that.
I'm talking about people who claim to love people. I'm talking about people who claim to love and represent the little guy. They're the people that tell us that if not for them, the little guy would be trampled on daily. Well, if they really cared about the little guy, if they really cared about the little guy, and want the little guy to have an improved life, more contentment, more happiness, then the United States is what you would emulate. You certainly wouldn't tear it down.
In real life, I don't fall in love with the guy who wines and dines me, I fall in love with the flaws and the humanity. When I see someone get embarrassed or when I see them wearing their heart on their sleeve, I want to see that in movies. I hate seeing the put-together people, and then it makes everyone think they're supposed to look like that. It's all a bunch of BS.
Once you realize that what I’m saying is true and comes from the heart, then it’s easy. But if you see it all as a façade and just a presentation of affected emotion, then it’s not so easy, it’ll just confuse you.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
I made lots of short films, about nine or ten short films. And then I made a television film called 'This Little Life.'
This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
In a way, this is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
To me "King Kong" is a metaphor for America's fear of the black male. And to me that's obvious. All right? So I mean that was one of the first things I said when I was talking to a friend of mine after he saw Peter Jackson's version of "King Kong."
I am crazy about my own films. The films I've just made I'm crazy about them. But then I don't see them for many years. It's like when you get a new child you're very crazy about this child but then after a few years you're like, "what was its name again?"
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
People call Kong "a monster." He's not. There's nothing evil about Kong. He's just another creature who has opened up a little bit of his heart to Ann and it proves to be his undoing.
King Kong, Count Dracula, and the Phantom of the Opera are just looking for love, like the rest of us.
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