A Quote by Peter Jackson

I watch 'Goodfellas,' and suddenly it frees me up entirely; it reminds me of what great film directing is all about. — © Peter Jackson
I watch 'Goodfellas,' and suddenly it frees me up entirely; it reminds me of what great film directing is all about.
When 'Goodfellas' is on TNT, and they've taken out all the curse words and put Tide commercials in the middle of it, I'll still watch 'Goodfellas' because it's that great of a movie.
I had the best teacher in the business. Kevin Costner was my teacher. I was acting opposite him and he was directing me. The way he directed me, for which I am eternally grateful, is he would watch the scene back on the monitor, which is sort of considered unfashionable - you're not meant to watch yourself. But he was like, "Come around. Watch this. See there, you're doing a great reaction, but you're doing it out of frame." That was exactly what I needed. I learned how to act on film from him.
I get to work with incredibly talented young filmmakers and students, and their attitudes and relationship with film is still so pure. That re-inspires me and reminds me why I got into it and what I love about film, and allows me a little reprieve from the business side of it. And it rekindles my love of film.
It reminds me of a string of wet sponges; it reminds me of tattered washing on the line; it reminds me of stale bean soup, of college yells, of dogs barking idiotically through endless nights. It is so bad that a sort of grandeur creeps into it. It drags itself up out of the dark abyss of pish and crawls insanely up the topmost pinnacle of posh. It is rumble and bumble. It is flap and doodle. It is balder and dash.
I have a lot of family in South Africa, but I grew up in California. I feel like my name keeps me connected to a long line of people that have been through a heck of a lot. It reminds me to stay grateful, and it reminds me to try and step my game up if I'm slacking.
I grew up in Austria, and for me real comfort food is Wiener Schnitzel. Wiener Schnitzel and mashed potatoes because it reminds me of my youth... It reminds me when I grow up and it feels very comforting.
My favourite thing about live shows is you can make up new songs on the spot. Never played before, never again. And that's wonderful for me, because it frees me up to not have to worry about lyrics and stuff.
I remember, at the Oscars in 1991, 'Dances with Wolves' won that year, and we were nominated for 'Goodfellas.' One of my peers said to me, 'Why'd you make that bad jump cut?' I said, 'Which one? We had about 20 in the film!' He was really upset about it.
That's what interests me about film: directing.
What I loved about 'Goodfellas' is that it's a film about bad behavior - but told with great energy and without judgment - but it doesn't actually shy away from the consequences of that behavior in the characters' lives, which I think is similar in 'Keep the Lights On.'
I hadn't really thought about this until 'The Lake of Dreams,' but I've set all my stories in places that are familiar to me. It frees me up to spend more imaginative time on the characters.
I can't believe 50 years have gone by since that film was released. I blinked and suddenly here I am. We all really felt blessed and as for me; how lucky can a girl get. Great music does more than enhance a film, it cements our memories in the film going experience.
I'm not a preacher and I'm not a pastor. But I really feel my career was leading me to make this. The Holy Ghost was working through me on this film, and I was just directing traffic. I hope the film has the power to evangelize.
I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.
Great novels have great characterization no matter what. But multiple points of view let me examine characters from entirely different perspectives, allowing me to learn more about everyone in the process.
When I watch a film, I watch it as an audience instead of thinking as an actor or an intellectual. I see whether it made me laugh, get involved or shocked me at certain points. Something has to stir inside me.
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