A Quote by Peter Jackson
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
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We want to pull out songs from the American song book, and we want to make them palatable for a modern audience.
I was an audience member before I'm a filmmaker. All I've tried to do as a filmmaker was to make movies I want to see.
In the end, you don't want music to be noticed as much as digested and integrated into the storytelling. And make audiences sit forward in their seats and enjoy the movie.
If you address yourself to an audience, you accept at the outset the basic premises that unite the audience. You put on the audience, repeating cliches familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to himself out loud. If what he has to say is significant, others hear & are affected.
I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants.
In theatre, the main objective is to make the art happy, not the audience! If you have to choose between the audience and the art, always choose the second! You must know that the audience will always pull you down; resist it and fly at the heights like an eagle!
I think audiences have always wanted to see women in the movies, but every time a movie like 'Bridesmaids' comes out, everyone says, 'Oh how funny, people do want to see women in the movies.'
One thing we haven't mentioned is something everyone should understand very clearly. Look at the budget that was invested in 'Avatar': who in China has that kind of money to spend on making a movie? So we as Chinese filmmakers should work together to make Chinese movies that can compete as best we can for Chinese audiences, not make lousy movies, but make the best we can for that audience. Concentrate the money, the talent we have on making good movies [for China].
I thought 'The Artist' was a perfect way to find a good balance. The artistic challenge is obvious because the film is black-and-white and its silent, but I did my best to make the movie accessible and easy to watch. I really don't want to make elitist movies. I really try hard to work for the audience. Audiences are smart. They get everything.
In the '50s, audiences accepted a level of artifice that the audiences in 1966 would chuckle at. And the audiences of 1978 would chuckle at what the audience of 1966 said was okay, too. The trick is to try to be way ahead of that curve, so they're not chuckling at your movies 20 years down the line.
You want to know about a certain period and what happened?-You go into this building and all of a sudden you are transported! You're not just shown pictures, not even 3-D pictures, not even movies, but suddenly you are transported live by a time machine to that very time, that very age and you see it happen, you watch it happen, you hear it happen, you feel it happen! Think of it! Not only the movies but the 'feelies'! You are there!
I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.
With it adult political audiences abandoned cinemas. In their place appeared a void. That previous political audience migrated to the seats in front of their TV.
I make movies that audiences like, that I'd want to see. That's all.
I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled
I think it's keeping a surprise element, so that the audience never gets ahead of you. I like to pull the rug out from audiences, I don't like for them to think they know what's happening next.
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