A Quote by Peter Jackson
I make cameos in all my movies for no particular reason other than a joke. It's just a Hitchcock thing.
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I love Hitchcock movies. I took a Hitchcock class in college, so I saw all his movies. I wrote papers on his movies.
I'm a frustrated actor. My ... goal is to beat Alfred Hitchcock in the number of cameos. I'm going to try to break his record.
It's easier not to make a particular joke in case it offends. But every joke will offend someone, and I've always believed that the audience is bigger than one person. The danger is that things will become bland.
People follow my movies for a reason, and that's because I believe in them, and I don't want to just make movies for the sake of making movies.
Sometimes the shots serve as homages to other movies and other directors, like Hitchcock.
Other filmmakers make their movies and put them out and that's that. For me, for some odd reason, it goes deeper than that.
Hitchcock had to fight to the death to make his movies.
I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.
I, you know, am all over the place — every category of pictures I have made, good, bad or indifferent. I could not make, like Hitchcock did, one Hitchcock picture after another. … I wanted to do a Hitchcock picture, so I did `Witness for the Prosecution,’ then I was bored with it, so I moved on.
I guess my feeling is is that if you're going to make a joke, that's fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you're trying to make.
I guess my feeling is that if you’re going to make a joke, that’s fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you’re trying to make.
I try to find inspiration in books, paintings, illustrations and the one thing I try to avoid is just being inspired by other movies, because then you just are talking about movies in movies. I try to talk about movies that are culturally and spiritually a little more diverse.
I make the joke, all the time, that if you have the word "man" and a number in the title, like Batman 2, Spider-Man 2 or Iron Man 12, you'll get it made. The kind of movies I make, studios don't make them. I've made a lot of movies, and at Castle Rock, we've made 125 movies. None of them get made at a studio. I've got to scrounge around for money, every time. I just like to tell stories. I'm a storyteller, so I want the most people to see it.
The quality of life of European cities and towns of almost any size make life in America look not just like a joke, but a sick joke, a horror movie. But I'd rather stay involved and do what I can to make this a better place than move to the south of France and enjoy the good life.
The thing with the comedian is you can make all the jokes you want and not every joke it going to be a winner, and not every joke is going to land, there'll be some that somebody doesn't laugh at, but that's just part of the deal.
There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.
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