A Quote by Peter Jackson

There was a great magazine in the '80s called 'Cinemagic' for home moviemakers who liked to do monster and special effects movies. It was like a magazine written just for me.
I grew up really loving horror movies and genre movies. I was a big fan of Universal Monsters movies, read Famous Monsters magazine. I built monster models and creature effects...
I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
I set up this magazine called Student when I was 16, and I didn't do it to make money - I did it because I wanted to edit a magazine. There wasn't a national magazine run by students, for students. I didn't like the way I was being taught at school. I didn't like what was going on in the world, and I wanted to put it right.
One association with the arts that I vividly remember was a magazine called Normal Instructor, a teachers' magazine, that Miss George would hold up with illustrations of great artworks like [Vincent] van Gogh and Rembrandt [van Rijn].
I was writing very early, like I was involved in our high school literary magazine, which was called 'Pariah.' The football team was the Bears, and the literary magazine was 'Pariah.' It was great. It was definitely a real sub-culture. But I wrote stories for them.
One of the things I liked about writing for a magazine was a kind of anonymity. When you do books, it's different than magazine pieces because you become a 'figure.'
I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.
Obviously, The Glamazon has been covered in every wrestling magazine known to man, including WWE Magazine, however, I've always wanted to do a fitness magazine.
I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.
There were challenges with production because of the special effects. There are just some things that, although written, special effects just isn't able to do.
In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I did from watching movies here. That's the truth.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
My favorite subject was English or creative writing. We did poems and making a magazine, and I did one on celebrities. I called it 'Celebrity Life Magazine.' I interviewed my good friend Kaley Cuoco.
I had no plans to be an entrepreneur. I just wanted to be a journalist and write for a magazine. At 15, I just decided to leave school and launch a national student magazine.
The '80s just had this sense of outrageous fun coupled with great stories and characters. Then there's the practical effects and buckets of gore in movies. These are movies that, for the most part, still stand up to this day. But I guess the real reason for my love and obsession with this period is these were my first horror movies. I was a teenager during the '80s and I think spending that part of your life in that particular time really has an impact on you for the rest of your life.
When you pick up your first magazine you definitely hope you can be like the guy on the magazine. That's usually why you start lifting.
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