A Quote by Peter Jackson
To direct a genuinely animated film, you're really having meetings and discussing what you want with animators who then go off and produce one shot at a time that you look at and comment on.
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With my own cartoon, it was just me being goofy by myself, but when it comes to an animated film, you're working with 45 animators and assistant animators. It's a whole different ballgame.
I've done animated TV stuff, but I'd never done animated film work, which is much more involved and much more labor intensive. The animators are much more meticulous and detailed. It's just been really fun and really satisfyingly creative.
I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories.
If you take a regular animated film, that's being done by animators on computers, so the filmmaking is a fairly technical process.
For this game, we shot it just like it as if it was a film so there wasn't that much different from doing a film other than some technical things for the costume that had to be done so they could transfer the footage later and make it look animated.
I am pretty interested in trying to write and produce an animated film at some point, but that's a job that takes several years, minimum, to get an animated movie going.
I don't really have any specific numbers as far as what I want to do, how many touchdowns, how many yards. I just want the film to look good, and hopefully that translates to me having a lot of yards and touchdowns, which ultimately leads to us having a shot at the Super Bowl.
Toward the end of the film ['Life, Animated'] we see 'The Sidekicks Story,' and that is a story that Owen drew himself. We took that style, which is decidedly different from Disney animation, and used it as a basis. It's a 'two-dimensional' hand drawn animated form, so I went to this company in Paris called 'Mac Guff,' and they assembled an amazing group of young animators, and brought it to life.
We're having such a great time on 'Nashville' that building on the relationship seemed an obvious next step. Lionsgate is the perfect home for the kind of scripted television I want to produce and direct.
I have a hard time articulating the emotional experience of working on a film. Even when I have meetings on films or discussing them with directors, I find that’s my biggest challenge. Different words mean different things to people.
I have a hard time articulating the emotional experience of working on a film. Even when I have meetings on films or discussing them with directors, I find that's my biggest challenge. Different words mean different things to people.
You have to understand that when you're a voice actor on an animated film, you're really just a tiny little piece of this huge process. And when you finally get to see the finished product and see all of the wonderful work that the animators & the designers & the writers did to make your character stand out, it's just so touching, so humbling.
After you've done the first feature, then you have heck of a difficult time getting your second film off the ground. They look at your first film and they say, "Oh well, we don't want you anymore."
When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'
I'm a huge fan of the animated film 'The Land Before Time' and that was one of my favourite animated films when I was growing up.
When you're having a conversation with someone who, despite his brilliant medical career, says he's going to produce the film, you think, "How's he gonna do this? Is he insane, or is he really going to pull this off? It might be both." It's really amazing to see someone do what he's done.
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