A Quote by Peter Jackson
Obviously, movies, you're often on location, out in the rain or the sun, in a real place where the trees and the cars are real. But when you're on stage, as an actor you're imagining the environment that you're in.
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With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
If you ask an actor what he'd prefer to act on, he'd probably say a tangible, real set, or even better, a real location out on a mountainside or by a river. It's just easier because you don't have to imagine anything.
Ask any real estate broker to name the three most important factors in buying a property, and he'll say: "Location, location, location." Now ask him to name the chief justice of the United States Supreme Court, and he'll say: "Location, location, location." This tells us that we should not necessarily be paying a whole lot of attention to real estate brokers.
In the dark that followed - Lucy said; "where I was born, the trees were always in the sun. And I left that place because it was intolerant of rain. Now, we are here in a place where there are no trees and there is only rain. And I intend to leave this place - because it is intolerant of light. Somewhere - there must be somewhere where darkness and light are reconciled. So I am starting a rumour, here and now, of yet another world. I don't know when it will present itself - I don't know where it will be. But - as with all those other worlds now past when it is ready, I intend to go there.
When shooting in real spaces, the work of a cinematographer begins where location meets production design meets time of day. No movie light will ever look as real as the sun, so scheduling becomes truly paramount to naturalistic lighting.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
Real estate is the key cost of physical retailers. That's why there's the old saw: location, location, location.
The three most important aspects of debugging and real estate are the same: Location, Location, and Location.
For example, if I make money, I put it in real estate. I always did very well. Location, location, location.
Making love to a woman is like buying real estate: location, location, location.
Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.
People can't stay out of their cars. I do think we have a real problem staying out of our automobiles. We have a real dependency on them, and it may be for more than just transportation.
Sombre thoughts and fancies often require a little real soil or substance to flourish in; they are the dark pine-trees which take root in, and frown over the rifts of the scathed and petrified heart, and are chiefly nourished by the rain of unavailing tears, and the vapors of fancy.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
Imagining may be the first step in making it happen, but it takes the real time and real efforts of real people to learn things, make things, turn thoughts into deeds or visions into inventions.
The irony is that you can't use real rain to make movies.
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