A Quote by Peter Jackson

When I was about 14, I got a splicing kit, which means you could chop up the film into little pieces and switch the order around and glue it together. — © Peter Jackson
When I was about 14, I got a splicing kit, which means you could chop up the film into little pieces and switch the order around and glue it together.
I have a zombie apocalypse kit at my house. I've got freeze dried food, I've got a real deal medical kit, like, a doctor could perform a surgery with this medical kit. I got all kinds of everything.
But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
Now I've got a fairly good grasp of the 18th century on what was common and what people thought. But I don't write in order. I write bits and pieces and sort of glue them.
That is the nature of endings, it seems. They never end. When all the missing pieces of your life are found, put together with glue of memory and reason, there are more pieces to be found.
We know that we cannot live together without rules which tell us what is right and what is wrong, what is permitted and what is prohibited. We know that it is law which enables men to live together, that creates order out of chaos. We know that law is the glue that holds civilization together.
I like to say, Chop sueys the biggest culinary joke that one culture has ever played on another, because chop suey, if you translate into Chinese, means tsap sui, which, if you translate back, means odds and ends.
I set up a system for myself where I work on a lot of pieces at once. I'll switch between them and keep working on a piece until it comes together, and then I'll publish it. This way some pieces can take a year if they need to. The trick is to just make sure one is ready every week.
I like to say, 'Chop suey's the biggest culinary joke that one culture has ever played on another,' because chop suey, if you translate into Chinese, means 'tsap sui,' which, if you translate back, means 'odds and ends.'
With wok cooking, you chop things up into little pieces for maximum surface area, so they can cook in minutes, if not seconds. Sauteing is energy efficient; baking is not.
Women on the streets want money when we meet. I take them for a little ride, chop, chop, chop.
You know, life fractures us all into little pieces. It harms us, but it's how we glue those fractures back together that make us stronger.
At Sunderland, our kit was five times too big, and we got the local bus to games; in America, I got bags of Nike kit, flew to away games, and played in front of thousands of fans. It opened my eyes to what women's football could - and should - be.
When I got out of school, I spent two years just hitchhiking around. Every time I met some old farmer who could play banjo, I got him to teach me a lick or two. Little by little, I put it together.
I imagined Kandinsky's mind, spread out all over the world, and then gathered together. Everyone having only a piece of the puzzle. Only in a show like this could you see the complete picture, stack the pieces up, hold them to the light, see how it all fit together. It made me hopeful, like someday my life would make sense too, if I could just hold all the pieces together at the same time.
Do you speak Chopnese huh? Do ya? Chop chop chop chop chop. Aha you don't.
This site uses cookies to ensure you get the best experience. More info...
Got it!