A Quote by Peter Jackson

It's not a happy time when a film drops dead on your doorstep. — © Peter Jackson
It's not a happy time when a film drops dead on your doorstep.
There is something about being able to look at this family on the film where a woman drops out of the sky, magically makes their father happy, makes the children happy, gives them all a purpose. And with great courage, they overcome a tyrannical dictator and go on to a happy, wonderful life.
The only time you do not get nervous is when you are making your first film. At that time, just the joy of making a movie is so high that you do not care; you are happy to have finally made it. It is only later that you want your film to be seen and appreciated by people.
O ye dead Poets, who are living still Immortal in your verse, though life be fled, And ye, O living Poets, who are dead Though ye are living, if neglect can kill, Tell me if in the darkest hours of ill, With drops of anguish falling fast and red From the sharp crown of thorns upon your head, Ye were not glad your errand to fulfill?
We welcome all republican endorsements, no question. We'd be happy to have that. We'd be happy to have more fair treatment in the media. But I'm not going to find unicorns on my doorstep tomorrow either.
By the time you arrive at Sundance as a filmmaker, you've been living with your film intimiately, and scrutinized every frame, and probably aren't happy with - or at least I'm never happy with it - and you've seen it in the roughest of states, and you lose perspective, really.
For all of the woes besetting our business, I believe with all my heart that newspapers - whether they are distributed to your doorstep, your laptop, your iPhone or a chip implanted in your cerebral cortex - will be around for a long time.
When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'
I shut my eyes and all the world drops dead; I lift my lids and all is born again. (I think I made you up inside my head.) The stars go waltzing out in blue and red, And arbitrary blackness gallops in: I shut my eyes and all the world drops dead. I dreamed that you bewitched me into bed And sung me moon-struck, kissed me quite insane. (I think I made you up inside my head.)
I'd like to do a film in Canada, but it's too difficult. National Film Board funding takes too long, and there's too much paperwork; by the time the film is approved the topic is dead and gone.
... it's impossible to register any emotion without using some muscle which, in time, will produce a wrinkle. ... By the time she is thirty, a starlet has been carefully taught to smile like a dead halibut. The eyes widen, the mouth drops open, but the eye muscles are never involved.
'Interstellar' is a thematic sequel to Christopher Nolan's last original film, 'Inception'. It drops us into a dark future full of otherworldly landscapes and time distortions.
Any time you see your quarterback hurt, your heart drops for a second.
I won't have you electioneering on my doorstep. Every time you get in trouble in Parliament you run over here with your shirttail hanging out.
I've spent years trying to time up my drops with my throws. You learn to listen to your feet and trust your positions.
When you tell a film financier that you want to do a Shakespeare film, their face drops. Shakespeare films don't have a very wonderful history at the box office.
We'd be happy to have more fair treatment in the media, but I'm not going to find unicorns on my doorstep tomorrow.
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