A Quote by Peter Lindbergh
I thought fashion was just the pretext to do images with lots of freedom and get them published in magazines. You could express your point of view, make statements about women and about what you believe in.
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Women from fashion magazines, they hate other women. They like to tell other women they are ugly and often it works. Women's magazines are mostly about the outside and not about the inside. About make-up instead of arts and literature. Its such a shame.
I believe that it's very important to get to know people with whom you can have a substantive dialogue about design and its development. In addition, read everything about fashion that you can get your hands on. A palpable point of view is what makes a designer, so you need to be confident about yours.
As an actor, you have to believe in the point of view of a director; as a director, you have to be able to express what your point of view is and invite everybody to join you on that journey. So it's always about opening up.
MAKE STATEMENTS also applies to us women: Speak in statements instead of apologetic questions. No one wants to go to a doctor who says, “I’m going to be your surgeon? I’m here to talk to you about your procedure? I was first in my class at Johns Hopkins, so?” Make statements, with your actions and your voice.
The Divine Comedy is a political poem and when you say poetry is not about - he's always quoted out of context, that "poetry makes nothing happen," that doesn't mean you shrug your shoulders and don't try to make anything happen. And Dante felt that poetry was engaged, there was a point of view; it's not my point of view, it's orthodox medieval Christianity, and I have my troubles with that. He didn't feel that you could just rule out so important a section of life - we care about these things, and it's out of caring about them that we write poetry.
You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.
I was on the cover of a lot of magazines, and there were compliments about beauty and fashion and what I was wearing. Man, if you get locked into that, you can lose your freedom as an actress.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
You're taught that you need to please magazines, to please the fashion elite, and that if you do everything the right way, everyone is going to love you. But I decided not to follow some of the rules. My girls from the runway were not just models - they were soldiers. They helped me bring my ideas to life. I was talking about sexiness, about diversity, about different shapes of bodies. I was following my instincts and learning that it would not please the fashion elite. And I think this is the real luxury, to be free to express yourself. Freedom is luxury to me.
When I was in high school in England, I wasn't sure that you could have a career in fashion. In those days, there were very few fashion magazines. I didn't realize there was a school where you could go and learn how to make clothes and design. I thought you just had to be discovered somewhere, like a film.
I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'
I don't look so closely at women's fashion, but from the 20th century on, people have had the freedom to express themselves and their individualities, and fashion is one of the most fundamental ways in which they do this, men and women are equally able to express themselves.
I check fashion magazines when I'm published in them to make sure that my work looks good, and then I kind of put it aside.
There are women who have completely transformed my view of fashion and if I hadn't shown them I would never have arrived at this point in fashion, you see.
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
When I started university, I didn't know much about architecture, so I flipped through a lot of magazines, looking at different and exciting images from all over the world. I thought that architecture could be interesting.
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