A Quote by Peter Maneos

History is not a nightmare from which. I am trying to awaken, but rather, a glorious tale which I wish to be cast in. — © Peter Maneos
History is not a nightmare from which. I am trying to awaken, but rather, a glorious tale which I wish to be cast in.
James Joyce is right about history being a nightmare-- but it may be that nightmare from which no one can awaken. People are trapped in history and history in trapped in them.
History... is a nightmare from which I am trying to awake.
History, Stephen said, is a nightmare from which I am trying to awake.
The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.
The title of my book is 'American Histories,' plural. And as far as I'm concerned, my reading of history is it is a sort of nightmare. It is a sort of nightmare, and I'm trying to wake up from it. And as any nightmare, it's full of much that is unspeakable.
When you're writing fiction it's a heightened voice. You're trying to cast a spell, which isn't the same thing as trying to cast someone into it. You are creating a reality but it's a different sort of performance.
History is that nightmare from which there is no awakening.
That which we remember is, more often than not, that which we would like to have been; or that which we hope to be. Thus our memory and our identity are ever at odds; our history ever a tale told by inattentive idealists.
I have such a sweet tooth, which is a nightmare when you're trying to be good.
After school, I went to Damascus to study law and history, which I didn't really like. I didn't like history, in particular. In Syria, the regime was trying to present to us a distorted version of the past. Assad was shown as the father of history. So I decided to shift to film, which was something I had always loved as a teenager.
I am what I am: an individual, unique and different, with a lineal history of ancestral promptings and urgings, a history of dreams, desires, and of special experiences, all of which I am the sum total.
We can only escape the bloody and ignorant nightmare of history by exploring alternatives which today look frighteningly weird.
In our lust for measurement, we frequently measure that which we can rather than that which we wish to measure... and forget that there is a difference.
99 percent of the time when you cast right, it's a dream. If you cast wrong, it's a nightmare.
I favor a picture which arrives at its destination without the evidence of a trying journey rather than one which shows the marks of battle.
Rather than teasing the buyers, we may blame the society in which they lived for setting up a situation where the purchase of ornate cabinets felt psychologically necessary and rewarding, where respect was dependent on baroque displays. Rather than a tale of greed, the history of luxury could more accurately be read as a record of emotional trauma. It is the legacy of those who have felt pressured by the disdain of others to add an extraordinary amount to their bare selves in order to signal that they too may lay a claim to love.
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