A Quote by Peter Saul

I enjoy finding a low subject and bringing it up high. I think with strong technique, you can glamorize certain things. You can make the imagery sharper, rounder, and basically better looking.
Intellectual culture seems to separate high art from low art. Low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. High art is people driving in Volvos and talking a lot. I just don't want to keep those things separate. I think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. I'm trying to not exclude high and low art or separate them.
We're certain there are people that can't stand what America stands for... We're certain there are madmen in this world, and there's terror, and there's missiles and I'm certain of this, too: I'm certain to maintain the peace, we better have a military of high morale, and I'm certain that under this administration, morale in the military is dangerously low.
I work differently. I enjoy creating a space around me and not getting too high or too low. But I am continuously looking to get better - not just as a tennis player but also as a person dealing with new experiences.
There's a certain balance between finding an opportunity to do what you really enjoy and getting caught up in the flattery of people wanting you to do things.
I'm definitely sensitive to the idea of exploitation. You don't want to glamorize certain things.
I just try to enjoy the moment and enjoy what's happening. I mean, I want to be conscious of what's going on around me, and be aware of if I can make a change and make things better, which I think is very important.
If you can't be pretty, you have to learn to make yourself attractive. I found that all the pretty girls I went to high school with came to middle age as frumps, because they just got by with their pretty faces, so they never developed anything. They never learned how to be interesting. But if you are bereft of certain things, you have to make up for them in certain ways. Don't you think?
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
You don't ever want to be a mechanical basketball player, but as far as technique and things, I like to have certain check points in my shot, certain things that I can count on and think about. It kind of helps me to be consistent.
When you work with an actor and then you discover new things that are better, I think you gotta be free to be able to go with the new things that you're finding. I think that's very important. I have a strong idea when I go to shoot a movie but I also love to discover things when I'm on set as well.
All religious systems enslave the mind. Certain things are demanded-certain things must be believed-certain things must be done-and the man who becomes the subject or servant of this superstition must give up all idea of indivuality or hope of intellectual growth or progress.
Looking at where the planet is now, we could screw things up massively or we could wise-up on a species level and actually make things better. If I had to put my money where my mouth is, I think we'll wise up globally but there will still be outbreaks of local stupidity.
Nobody can deliver a line better than Jadakiss. That's where I learned my technique. He can deliver punchlines so perfectly wrapped up for you to enjoy. If I had a different favorite rapper, I wouldn't be able to make some of the music I do.
It's a long haul bringing up our children to be good; you have to keep doing that โ€” bring them up โ€” and that means bringing things up with them: Asking, telling, sounding them out, sounding off yourself โ€” finding, through experience, your own words, your own way of putting them together. You have to learn where you stand, and make sure your kids learn [where you stand], understand why, and soon, you hope, they'll be standing there beside you, with you.
We were younger. And it's basically like looking at football classics. You see things that you did, you see things that you could've done better and you think about all the good relationships that you had with the cast.
I think you always want to be open to things... it's just the matter of finding something I believe in, finding a character I believe in, and I think that's the way it should always be. I'm looking for things that excite me.
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