A Quote by Peter Scolari

I'm as proud of my work in 'Madoff' as anything I've ever done. Richard Dreyfuss turned in a bravura performance. It went unnoticed. — © Peter Scolari
I'm as proud of my work in 'Madoff' as anything I've ever done. Richard Dreyfuss turned in a bravura performance. It went unnoticed.
For those who unfairly lump Social Security in with Bernie Madoff, in all fairness, you should point out the difference. No one was ever legally required to pay money to Madoff.
When you Google me, you'll find a lot of people don't like Richard Dreyfuss. Because I'm cocky and I present a cocky attitude. But no one has ever disagreed with the notion I represent, that we need more civic education. So far there's 100 percent support for that.
My idols are Richard Dreyfuss, Michael Keaton, John Goodman. Maybe that's what I want for me.
I wouldn't say anything I ever did in film would be something I'd use the word proud about. I've done better work in the theater.
Since nobody upstages Rudolph Giuliani, his will be a Broadway-class show, perhaps his final bravura performance before November 2000, when he hopes to be turned out of the mayor's office by virtue of his election to the United States Senate.
There is something that you have that no one else ever had ... When you watch Kirk's [Douglas] performance in anything, in anything he's ever done, you cannot take your eyes off of him. It's not possible to look away from him.
I'll never forget John Heard doing Shakespeare In The Park with Raul Julia and Richard Dreyfuss. It was 30 years ago, I guess. It was Othello, and John Heard played Cassio, and while everyone else was "Acting!" Heard came on talking normal, and everyone in the audience was leaning in to follow him. I wasn't doing that in Bus Stop. I think in that performance, I was putting it out a little too much.
Pretty much every record I've ever done, I can go back and listen to them and be proud. I'm proud of everything I've done.
My buddies all still make fun of me about the whole 'Leprechaun' thing, and I'm proud of that movie. I'm just as proud of that work as I am of anything else that I've done. I feel like where I was in my career at the time, I committed to the character.
I don't think I ever expected anything like an Oscar ever, to tell you the truth. That is not my motivation when I do these roles. I really am motivated by being able to work with great people and create a body of work that I can look back and be proud of.
Richard Dreyfuss, when we were doing 'American Graffiti,' was pumping me to vote for McGovern. But I think I wound up going for Nixon. I thought he could get us out of the Vietnam War quickly. Ha.
I was slightly disheartened when three of my films didn't work at the box-office. But the silver lining is that people did appreciate my work in those films. Had my performance gone unnoticed, I would've been in big trouble then.
When I saw the scene in 'Close Encounters,' and Richard Dreyfuss's son is screaming at him - that's a heartbreaking scene. And I remember being devastated by 'E.T.' Or when E.T. started to get sick. That broke me up a little bit.
'Close Encounters of the Third Kind' ends with the spaceship lands and Richard Dreyfuss' character best on, but a bunch of pilots and sailors from the 1940s get off. You kind of wanted to know what happened next.
To this day, to this very day, except for television, I've never had a writer. Anything I've ever done on the stage, happened on the stage and I developed it from there. It started doing impressions and jokes - which I did very poorly. To this day I can't tell a joke. That sounds nuts, but it's true. I exaggerate it and it becomes a joke. Everything I've ever done I've done out on the stage and it became a performance over many many years.
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
This site uses cookies to ensure you get the best experience. More info...
Got it!