A Quote by Peter Weir
There's such a deep, conservative feeling in 'The way Back.' You go, 'gosh, we've gotten narrow.' So at the moment I think there's a kind of tension, and it's gold rush fever.
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California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.
I think the whole tension about romanticism is the way it builds and builds, and the moment it's consummated, the tension's over.
A lot of youth today have become very narrow and conservative in a way, whereas we in the older generation are kind of living it.
One way to break up any kind of tension is good deep breathing.
I always wanted to be cheered up. I felt like that feeling of the first day of summer or when a girl would agree to go on a date or you found a $20 bill - that undeniable rush of excitement - I wanted to make a soundtrack of music for that kind of moment.
Crying, that is, sobbing is the earliest and deepest way to release tension. Infants can cry almost from the moment of birth, and do so easily following every stress that produces a state of tension in the body... Human beings are the only creatures who can react in this way to stress and tension. Most probably, they are the only ones who need this form of release.
I think the same way about theatre, you go out there and you are creating a world for a moment that can actually have a real impact on people, present some kind of story that gives you something to think about when you walk away, feeling enriched - if it works out well.
I think 'Rheingold' has symbolic meaning of what happens in the world when you're running after the Rhine gold, after the gold. It doesn't end very well. It's kind of a reminder of the values of life, and I think 'The Ring,' in a way, is kind of a prediction of Wagner of what would happen in the world.
My treasure chest is filled with gold.
Gold . . . gold . . . gold . . .
Vagabond's gold and drifter's gold . . .
Worthless, priceless, dreamer's gold . . .
Gold of the sunset . . . gold of the dawn . . .Gold of the showertrees on my lawn . . .
Poet's gold and artist's gold . . .
Gold that can not be bought or sold -
Gold.
And if a moment exists only in one's perception anyway, then perhaps the rush of feeling he has now is THE MOMENT, and not merely its shadow.
I feel like I'm bipolar. I have my different moods and that. That's why my music exists in so many different worlds - this moment I'm feeling all raw, this moment I'm wanting to talk to a girl, the next moment I'm wanting to talk about spirit and be deep. Then I'm back to being angry.
As I've gotten older and I've watched people in productions, I go to the theater when I go back to London and see friends in Broadway, I think maybe there might come a time here to get back up there and prove oneself. It's just an itch; it's a nagging itch to go back there.
There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
I don't have a place that I call home at the moment because there's no point. I mean, I'm a traveling circus for a while. It's weird. Like, if I wanted to go home, there's nowhere to go. I just go to a hotel. But I've kind of gotten used to it.
DNA was my only gold rush. I regarded DNA as worth a gold rush.
While the repression of a memory is a psychological process, the suppression of feeling is accomplished by deadening a part of the body or reducing its motility so that feeling is diminished. The repression of the memory is dependent upon and related to the suppression of feeling, for as long as the feeling persists, the memory remains vivid. Suppression entails the development of chronic muscular tension in those areas of the body where the feeling would be experienced. In the case of sexual feeling, this tension is found in and about the abdomen and pelvis
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