A Quote by Peter Weir
It's spiritual, a man that has a past and regrets, but you can as a director take a shot, and there's something in the eyes and the face, you just can't fake it, you can't teach it, and I think Ed Harris has that quality.
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Fake is not a word I like to use because there's nothing fake about what I do. It's a show, it's a predetermined outcome; we're putting on a television drama, action, comedy, whatever you want to call it - but it's not fake. Fake would be if I was just about to take a body slam, and my stuntman did it. Fake would be if I was going to take a chair shot to the head, and the chair was made of rubber. I'll tell the world that it's a show, but I hate the word fake. It's such an unfair term to us.
You can't fake comedy - it's not like a movie, where a director can just cast a pretty face.
Ed Harris seemed to be as a man, it seems, like a Clint Eastwood, this country is one that has produced more than one of this kind of man that's iconic and enormously appealing to the world, as part of American film culture.
Professionally speaking, the proudest moment was when I booked the 'Human Stain.' I knew it had Nicole Kidman, Anthony Hopkins, Ed Harris and Gary Sinise on board, and the director Robert Benton was an academy award winner for 'Kramer vs Kramer.'
I sit and wonder why no one uses the shot fake. The shot fake, when used correctly, can eliminate a defender
As great as Ed is, the wisdom out here is that he can't carry a movie. They'll pay him $3 million to be the second banana in Julia Roberts things. But they won't put up $3 million for an Ed Harris movie.
Actors I admire? Ed Harris, or course, I think he's terrific; because I know he always had to fight being what he looked like a lot, but I think he's a terrific actor.
Show me one director who does not get angry on their assistant for something that has gone wrong. But it is done out of my love. It's just fun when I tell them to face a wall and stand or kneel down in a corner. It's not like I want to punish them harshly. It's not to humiliate; it is to teach.
Whenever I have a birthday, I think back over the past year, how I've spent my time, what I've accomplished, what regrets I have, how I've tried to make the world a better place, and what exactly I've been doing with my life over the past 365 days, and I think to myself: 'Man, I wish I'd gotten laid more'.
HBO is turning 'Game Change' into a miniseries, and they've cast Ed Harris as my dad.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
To spend time with Ed Harris... he's an acting hero of mine, so that's a big deal for me.
I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.
I understand that in people's eyes, classical music is kind of a lost and dying art, but in my eyes, it's like, "Oh, the musical language, which has been, in the past, only available to a scarce few at the top of the tower, is now wide open." Now people's ears are becoming more amenable to fake strings - I think this is great!
I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
I want to teach the post basic moves: turn and bank; drop-step and shoot a power layup; turn to the middle, pump-fake, one-bounce layup; and I want to teach five power moves. They are power layup straight up; pump-fake one bounce to the other side power layup; pogo when you catch it up high, keep it up high, and shoot it; and then the two-hand follow shot.
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