A Quote by Peter Weir

I'm not from a theatrical background where people do like to work it out on some stage space. — © Peter Weir
I'm not from a theatrical background where people do like to work it out on some stage space.
I've been working my way to doing my first feature film for about ten years. So I went through the commercials route and some people come from a theatrical background and some people come from a writing background, but I directed commercials
For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.
I come from a theatrical background, where, if you're working on a movie or a play, you always respect the people you work with. You're accommodating.
The stage is like a laboratory where you can run theatrical experiments, imposing interesting conditions on the cast or story and seeing how they pan out. Each new play is like creating a tiny virtual universe enclosed by the confines of the stage.
The feel of space... Some folks have asked what it is like to work out in space. Yes, you can work upside down, right side up, sideways - anyway you want to to make it convenient.
The "stage" on which you perform in film and TV is much smaller. Moving your eyes across the frame is equivalent to crossing from stage right to stage left in a big Broadway house. Coming from a theatrical background and temperament, this is something I am still learning. However, I think ultimately your responsibilities to the character and the overall story are the same in both mediums, so my approach felt very similar.
My theatrical background was in the great work of the South African playwright Athol Fugard.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
People ask me questions like, "Oh, you look so theatrical in your photographs. Is that what you're like when you walk down the street?" It's like, "Of course not." It's such a silly question - it's like being theatrical is a crime.
I liked being on stage, I just didn't like the theatrical aspect of being in front of people.
I liked being on stage; I just didn't like the theatrical aspect of being in front of people.
In politics, it's very theatrical. There's a lot of stage craft. The campaign is trying to tell a story that they want people to believe in, and candidates are playing the role, like actors, by a creative personae that people will be attracted to.
In politics, it's very theatrical. There’s a lot of stage craft. The campaign is trying to tell a story that they want people to believe in, and candidates are playing the role, like actors, by a creative personae that people will be attracted to.
We're using the space station as a test bed for some of the technologies that are going to enable us to work autonomously in space and hit some of our deep-space exploration goals.
One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries.
The stage show is, in some sense, highly theatrical. It's definitely not just a band in jeans playing rock and roll.
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