A Quote by Peyton Reed

I came from a background of directing behind-the-scenes documentaries. — © Peyton Reed
I came from a background of directing behind-the-scenes documentaries.
I'm a natural behind the camera... My attentions are more toward behind the scenes, more toward creating, producing, and directing what's going on here... When I finally do pop in front of the lens, I'm genuinely glad and relieved to be there.
Besides acting which is my first love, I am also interested in behind the scenes.. Directing , writing and producing.
One day I decided to move towards documentaries or to move to more directing in documentaries at this point in my career. Why documentaries? I also love fiction. I would love to direct a fiction movie as well. But I think where I come from, reality is so interesting and has in it so many good stories to tell, this is why I'm doing that. I'm enjoying that.
I've always been interested in directing, writing, and producing, so when I went behind the scenes, it was like a whole new world that I got to experience.
I'm a fan of music documentaries and I always love seeing what goes on behind the scenes. In kind of the new era of record companies and record releases and that sort of thing, there has to be way more content for the audience.
God's ways are behind the scenes, but He moves all the scenes which He is behind.
Directing is something I always wanted to do. I started when I was 13 directing scenes in high school and then plays in college with my theatre company.
Actors are journeymen. We show up for work. We do the job and then we go. What goes on behind the scenes is what goes on behind the scenes.
Yes, pain, disappointment, frustration, and anguish can be temporary scenes played out on the stage of life. Behind them can be a background of peace and the positive assurance that a loving Father will keep His promises.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
I was involved with Gary Kirsten only for the Test matches, a very short period. He was, again, someone who worked in the background and didn't make himself visible. Exactly how I'd like to work as well. Not in the front, but behind the scenes.
On 'Mr. Robot,' because I run the writers' room and know every decision behind every line of dialogue, I'm able to be nimble and adapt with the scripts and the moments. I never have to question what I'm doing as I'm directing the actors or going through the scenes.
The historical background is one of the easier aspects of writing a novel. Far more difficult is dreaming up the smaller, character-based scenes, scenes that rise entirely from one's own imagination.
Mike Tyson and I came up together in the streets, and being around people like him, I learned what goes on behind the scenes.
Coming from a technology background, I mostly worked behind the scenes or let the men take the lead. I had to learn to assert myself, communicate and be heard. I made sure that once I had my voice, I spoke for those who didn't - especially women.
I never really had any intention of getting involved in documentaries until the opportunity came around. I always thought much more in classic fiction cinema terms and I think I tried to apply those ideas to documentaries and not vice versa.
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