A Quote by Peyton Reed
What I loved about 'The 40 Year-Old Virgin,' the title is the easy sell, but when you see the movie, the comedy is more free-form and more relatable.
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I've come to believe that the simpler the title, the better. Whenever I try to get cute with it, it seems to be a problem but if it's just The 40-Year-Old Virgin, people seem to know what they're in for.
I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
Maybe I would get the chance to be financed for a small romantic comedy, but a war movie by a 28-year-old woman about Japanese soldiers? No one was going to go for that. It's easy to just steal an idea because it's very safe.
I loved 'Weekend,' and it meant a lot to me when I saw it in the movie theater. I think 'Looking' feels more like that movie than any of those other shows, with a little more comedy thrown in than 'Weekend.' But it's certainly got the vibe and look and feeling of that movie.
I'm the guy who gets uncomfortable. That's why I was able to write 'The 40-Year-Old Virgin' and 'Knocked Up.' I believe in those guys.
When a stock doubles, sell half - then what you have is a free position. Then it becomes more of an art form. When you sell depends on individual circumstances.
No one can pronounce my name. My name is 'The Black Guy From 40-Year-Old Virgin'.
The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.
I didn't want to be the 40-year-old still on MTV doing 'Real World.' I loved the show. I loved the people on it, but I had a different set of goals.
Steven Spielberg's name was all over 'Poltergeist,' and 'E.T.' was out the same year, which every single parent took their child to. So despite 'Poltergeist' being a horror movie, I convinced my parents to let me see it. It was terrifying. I guess this says a lot about me as a six-year-old, because I loved it.
At last I saw Christ as my Saviour. I believed in Him and gave myself to Him. The burden rolled from off me, and a great love for Christ filled my soul. That was more than fifty years ago. I loved Jesus Christ then, but I loved Him more the year after, and more the year after that, and more every year since.
I have a daughter, Catherine, aged 30. I have a 9-year-old son, Nathaniel, a 7-year-old son, Ridley, and a 6-year-old daughter, Truma. I'm 68. The age gap between the younger kids and me is not something I think about much because I feel physically about like I did when I was 40, or at least, I think I do.
Film is the only art form where we feel we have to title our stuff literally. Musicians don't have to title their songs literally. It can be more about what's conjured up when you think of a word.
That title, is one of the things I fought for. A lot of people said 'But it's stupid, and it's the title of a comedy movie, and people won't take it seriously,' and I'm sure there are some people who still don't. But for the most part, people do see that we really have a quality show.
You'll see a lot more blood in 'Saw' movies or something like that than you will in either of the 'Last House' movies. I kind of think it owes more to 'The Virgin Spring' which is the original source material, the Bergman movie.
I see parody as another form of comedy. If you are making a comedy, there are a lot of different ways to do it. I'm not necessarily always aware of my quote-unquote persona when doing things like that. It's more, "What does the character need at the time?" I'm certainly drawn to certain types of material, there's no doubt about that.
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