A Quote by Phil Ehart

When we were starting out, there was no "label" as progressive rock - it didn't exist ... so we were just a rock band. — © Phil Ehart
When we were starting out, there was no "label" as progressive rock - it didn't exist ... so we were just a rock band.
One overlooked great 1980s rock n' roll band, maybe punk rock - they were on SST Records, same label as Black Flag - is this band called the Leaving Trains.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Rock n' roll is over, don't you get it? It lasted 25 years and now gets wiped out. The Sex Pistols were the bullet in the brain. They were the last rock and roll band.
When we first started, I didn't know there was Christian rock or Christian music. I just thought we were a rock band that stuck to our convictions... Like every other hardcore band out there sang or screamed what they thought, we did the same thing.
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
We kinda were a radio-rock band. We were still pretty technical, but I think the prog people hated us because we didn't do a bunch of weird time signatures... which are cool at times, but I'm more interested in progressive harmony.
Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.
I wish I could tell you me and my rock band were traveling around, strung out. No, we were a family band. Straight Partridge Family.
The misunderstanding out there is that we are a 'hard rock' band or a 'heavy metal' band. We've only ever been a rock n' roll band.
I was in a bluegrass band. I made two records with a band called the SteelDrivers. They were nominated for two Grammys. I then I was in a rock band called the Junction Brothers; we made kind of '70s hard rock music.
In 1996, I was in was in an acoustic kind of rock band, we were called Feeble. We were just playing locally.
Even though were not the most punk rock band, the way weve done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
I was born in 1963. So the '70s were my teenage years. As a teenager, I was into rock and roll - Bowie, Rolling Stones, Pink Floyd, even more progressive music like Genesis, and I was into a lot of British rock and roll. But I loved also American rock and roll. CCR, Jimmie Hendrix, The Doors, Patty Smith, and Bob Dylan.
You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.
My friend Fred Coury, the drummer in '80s rock band Cinderella, told me that in the rock world, you're either still there, or you're struggling to get back to where you were.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
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