A Quote by Philip Jones Griffiths

What we get to think and know about the world is in the hands of a very few... A truly informed public is antithetical to the interests of modern consumer capital. — © Philip Jones Griffiths
What we get to think and know about the world is in the hands of a very few... A truly informed public is antithetical to the interests of modern consumer capital.
As a lot of the venture capital world seems to be shifting away from consumer, we want to make sure that consumer entrepreneurs know there's still money available.
You make a film and you can't really pick the way it's put to the public. You control the content, but the way it's marketed, or the poster, or what they're telling the public about the film, it's beyond you. Some people don't even see them, because they think they already know it. That can be frustrating, when something you've done is marketed in a way you think is antithetical to what it is.
One of the things about the modern world is that the public and the private - which is not the same as the public and the personal - but the public and the private... it's very, very much harder than it used to be to have things that are private and things that are public.
I am more modest now, but I still think that one of the pleasantest of all emotions is to know that I, I with my brain and my hands, have nourished my beloved few, that I have concocted a stew or a story, a rarity or a plain dish, to sustain them truly against the hungers of the world.
Treat all economic questions from the viewpoint of the consumer, for the interests of the consumer are the interests of the human race.
I really didn't know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde. I was born with religion. At the age of six I was already sure I was the last prophet. This was few years before the revolution.
By the aristocracy of finance must here be understood not merely the great loan promoters and speculators in public funds, in regard to whom it is immediately obvious that their interests coincide with the interests of the state power. All modern finance, the whole of the banking business, is interwoven in the closest fashion with public credit.
I think that each season we, as an industry, evolve more and more in such a great way, and I'm really excited about it. We're able to put fashion into the hands of the consumer and eyes of the consumer, and I just think that there's no filter anymore; you just put it out there. There's an instant commentary. I think it's so interesting.
You can make records from now 'til doomsday, and there are something like 50,000 records released every year, but the public gets to hear very few of these. They just won't know. They might be great records, but how in the world is the public supposed to find out about them?
The invectives against capital in the hands of those who have it are double-faced, and when turned about are nothing but demands for capital in the hands of those who have it not, in order that they may do with it just what those who have it now are doing with it.
I have always followed exactly what interests me and never really worried about the money. And when you think about it, to be able to travel the world... on an expense account and do exactly what interests you, it just doesn't get much better than that.
Capitalism is not about free competitive choices among people who are reasonably equal in their buying and selling of economic power, it is about concentrating capital, concentrating economic power in very few hands using that power to trash everyone who gets in their way.
I'm more careful about my hands than about what I eat and most anything else, because my hands have been my living. My hands have been able to help me learn. My hands have taken me around the world. So I'm very proud of my hands.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
Modern warfare is an intricate business about which no one knows everything and few know very much.
Very few people ever meet celebrities. All we really know is what we read about them and the most memorable lines are jokes. That's how we tend to define what we think of a public figure.
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