A Quote by Philippe Falardeau

We also have this reflex of using specialists for everything, instead of having the person who is there every day with them, the teacher, talk about death and suicide. In the film, it's portrayed a little bit like a caricature, but it's the psychologist who comes in and Monsieur Lazhar does not think it's a good idea. He thinks he should be the one who should talk about that with the children.
It also happens that I don't actually teach about the stuff I make things about. I'm not a film history teacher. In that way, it's also a release. But the ideas that I talk about in the movie are the same I talk about in school.
The problem is that people have an idea of what a footballer should look like, how they should behave, what they should talk about. If you act a little differently you become a target. There is pressure to conform. This is very dangerous.
The idea of having dinner together every day with your family removes the pressure from trying to explain everything. You tell us the good parts about your day, but you also tell us the bad parts about your day. And at the end of that, because you're in a ritual, you remove the pressure of admitting you had a failure that day. And it also takes the wind out of having a great day. I mean, it makes you a little bit more normal all the time. That moment of therapeutic sharing is something that happens in food, that doesn't necessarily happen when you're watching TV.
By having a little bit of knowledge about many different things, it enables me to talk to people about a subject that they would not ordinarily think I could talk about. It's a lever for me, I suppose.
Historically it has been a touchy subject, especially in the south where I am from, people don't really talk about it. If they do talk about it, it is often talked about negatively. Nowadays in light of the Black Lives Matter movement I think people should pay attention to these lives also. I think the Black community will really embrace the film [Moonlight]. It is about us. It is real.
A perfect date is probably something somewhere where you can kind of communicate and talk to the person. I don't like movies as first date. I don't think that's a good idea because you don't really get to talk to the person. I think taking a walk or just having one on one time with that person is the best.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
My film is in French. It's not something folkloric. It's who we are. There's this tension about immigrants coming in. Will they learn French? Will they adapt? In this film, I'm on the reverse side because Monsieur Lazhar comes from a society where French is also the second language.
Nobody thinks in terms of human beings. Governments don't, why should we? They talk about people and the proletariat; I talk about the suckers and the mugs. It's the same thing.
It's hard to talk about childhood trauma. It's hard to talk about depression. It's hard to talk about anxiety. And we thought - I wonder if we just open up our subconscious and the things that we think about and hide from people every day and just let them come out in some of these lyrics.
Prior to being allowed to enter the profession, prospective teachers should be asked to talk with a group of friendly students for at least half an hour and be able to engage them in an interesting conversation about any subject the prospective teacher wants to talk about.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
The internet has no government, no constitution, no laws, no rights, no police, no courts. Don't talk about fairness or innocence, and don't talk about what should be done. Instead, talk about what is being done and what will be done by the amorphous unreachable undefinable blob called the internet user base.
I think there are brilliant jokes to be made about abortion, and we should be able to talk about this in the way that we make jokes about death - you should be able to make jokes about everything.
It's not necessarily a brave thing, people talk about what they think about. There's people out there who love to talk about politics or where they think the countries headed. I don't talk about that I talk about...things that are a little trippier.
We're very open and outspoken about our faith and our beliefs. We also talk about our doubts, our moments of insecurities. We talk about it all day, how we're inspired by God. We recognize little miracles every day, and that's how we're raising our daughter.
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