A Quote by Philippe Falardeau

One particular night I was at the theater. I was not scouting for a project, but I was touched by this play by Évelyne de la Chenelière. I was touched by the character. I thought it was a rich character that could be rich enough for a movie.
If I could remake any Eighties project, it would be less an action flick than a character-driven drama with a rich story to tell.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
Becoming rich isn't as much about getting rich financially as about whom you become, in character and mind, to get rich.
Becoming rich isn't as much about getting rich financially as about whom you become, in character and mind, to get rich. I want to share a secret with you that few people know: the fastest way to get rich and stay rich is to work on developing you! The idea is to grow yourself into a successful person. Again, your outer world is merely a reflection of your inner world. You are the root; your results are the fruits.
Having been a theater person first, you have the whole character, and you see the arc of the character in a play. And then when you do a movie, you have the whole character - or, if it's a small role, there's not much arc, but you see what the whole part is.
Intellectually I touched God many times as truth and emotionally I touched God as love. I touched God as goodness. I touched God as kindness. It came to me that God is a creative force, a motivating power, an over-all intelligence, an ever-present, all pervading spirit - which binds everything in the universe together and gives life to everything. That brought God close. I could not be where God is not. You are within God. God is within you.
Poor people who had escaped from poverty as I had, feared it, hated it and fled from it all their lives. Those born rich could afford to be touched by it.
Virgil has very finely touched upon the female passion for dress and shows, in the character of Camilla; who though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular.
If people can come out of 'Bin Roye' feeling even just a little bit of what this character felt, and touched your heart, that's enough for me.
He was wearing a tuxedo, and everyone was saying, 'Rich! Rich! Rich!' and asking him to sign autographs, and he just looked so composed and suave and handsome, and boom! All of the sudden, I thought, 'This could be OK.' And we've been together ever since.
If I keep my good character, I shall be rich enough.
When I did 'The Passion,' nobody believed in the movie. Everybody was telling me, 'You shouldn't do this movie... But I wanted to play Mary Magdalene. I thought that I could do something strong and deep with this character.
I heard of the word 'rainmaker.' It means one particular star who could make a company or project rich and successful. Someone that makes it rain with money. I thought it was a really good concept, so I took over that idea to become the rainmaker.
God is rich in mercy. I know this wealth of his with the certainty of experience, I have touched it.
One must be rich in thought and character to owe nothing to books.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
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