A Quote by Philippe Falardeau
I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual, and he stops being an individual. I think it's the same thing for a country.
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I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual, and he stops being an individual. I think its the same thing for a country.
That's grossing money for other people that has a multiplying factor, but the government doesn't see that. It doesn't see that making a film or culture or art is part of our economy. But the main reason is this, it's part of our identity. I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual and he's stops being an individual.
Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.
I don't think there is such a thing as pure imagination. I think it's a combination of memory and invention.
Memory belongs to the imagination. Human memory is not like a computer which records things; it is part of the imaginative process, on the same terms as invention.
If genetic memory or racial memory persists, is it possible that individual memory also exists from previous lives?
Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.
Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.
Each individual man and each individual country, according to the principles of natural reason, is free from bondage. Consequently, if there is some threat that might infringe upon a country's freedom, then that country should not hesitate even to take up arms against all the countries of the world.
We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.
I thought dying for your country was the worst thing that could happen to you. I think killing for your country can be a lot worse. Because that's the memory that haunts.
For me, the subtlety of black and white inspires the imagination of the individual viewer to complete the picture in the mind's eye. It doesn't attempt to compete with the outside world. I believe it is calmer and gentler than colour, and persists longer in our visual memory.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
The idea of self is dependent upon attraction, aversion and memory. Memory is simply a serial account of attractions and aversions that don't exist now except in imagination.
President Obama, I think, wanted what was best for the country, but I think it didn't work well. I think we have the death spiral, and I think particularly premiums in the individual market are going through the roof. Republicans want what's best for the country, but I think they're not fixing the death spiral of Obamacare. They're going to subsidize it with a lot of taxpayer money. So, characterizing something as mean or generous I think goes to people's motives, and I think it is sort of why we have such an angry country now. We think that people have ill motives.
I'm a huge fan of world cinema, because each country uses cinema in a very individual way.
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