A Quote by Phillip Noyce
Well, I don't know what they'll turn out to be, but I'm working on a film of Kon Tiki.
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I call my tiki bar my tiki office, even though I also entertain out here all the time. This beautiful, open-air space is such a creative environment for me. It's where my writing partner and I wrote much of the script for a Mamas and Papas biopic that's in the works, and where I have my meetings.
With Fever, the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out.
My films typically veer towards the darker side, and I enjoy turning things on the audience. I really enjoy working in genre because people come into the film with certain expectations, and they know the tropes so well that when you turn on those, it can be really shocking. There's a complaisance that comes with watching those films.
The rumors about me being with Jamal Lewis, Adam Carolla and Tiki Barber are absolutely false. I've never even met Adam or Tiki Barber in person'we did phone interviews. What happens is that a lot of high-profile men saw topless photos of me.
I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.
When you make a film, you never know how it will turn out, especially when you improvise it.
Hope is not optimism, which expects things to turn out well, but something rooted in the conviction that there is good worth working for.
Well, I think that a lot of times when you're working on a film, there aren't really opportunities to get to know all the people you have to work with.
After I got kicked out of CalArts, I moved to Lawrence Kansas where my sister lived. I began working on A William S. Burroughs documentary. I had no idea it would turn into such a big film.
Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.
I gotta admit, when you've been doing this a long time, going out to the audience and asking for them to help out with crowdfunding, it's a gut check. You never know how that's gonna turn out. Luckily for us, it turned out well.
Our message of strengthening the middle class, working people, we just didn't penetrate well enough and we didn't have the kind of turn out that we really needed or expected.
"Bruce" was an Eddie Murphy film, so there was a whole different vibe, working on that film, as opposed to working on a [Adam] Sandler film, which I'd done a few of. First of all, there were tons of kids running around. I'm surprised I ever had a kid after doing that film.
Each film does bring a new set of personalities and it can turn out great or it can turn out not great.
You don't really know how your film is going to turn out, but you can give it your best shot and hope the audience loves it. This has been my approach right from the beginning, and it's helped me a lot in my journey. All you can do is give the film your everything.
It's not the end of the world if I can't get a film job, or if a movie doesn't turn out well - even though I don't like it when that happens. There are other things I enjoy doing, and I involve myself in them.
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