A Quote by Phoebe Bridgers

I think the main thing which boygenius and I talk about ad nauseum, is that I feel like I just apologise for myself less. — © Phoebe Bridgers
I think the main thing which boygenius and I talk about ad nauseum, is that I feel like I just apologise for myself less.
The extra opinions and the extra praise is just a bonus, it's not the main thing. The main thing is how I feel about myself. And I feel really good about myself.
I didn't realize at the time that if I wrote about something, I was going to have to talk about something. A lot. Ad nauseum.
It's the balance I'm trying to find - not being disconnected but giving myself some space to be in my world. I feel like I'm surrounded by friends of mine who are very different from one another but all care about similar things. We talk about this a lot, and I think that's probably the main thing - being surrounded by good people is the best way to stay in a solid head space. You want to be able to talk about these things, and be able to think things through and feel things through. That's helpful for me.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
I think the main thing was me having a daughter. I just knew that I had to be a man, so I grew up real quick. Then I started caring about my music more, and I feel like that was the main change between 'Killer Instinct' and 'TRAPSOUL'. I was just like, 'I need to take this more serious and watch the things I say'.
I've often been described more than once in my life as very much like a golden retriever. Just sort of happy and excited to do whatever it is even if it's as simple as retrieving a ball and bringing it back ad nauseum.
I've often been described more than once in my life as very much like a golden retriever: just sort of happy and excited to do whatever it is, even if it's as simple as retrieving a ball and bringing it back ad nauseum.
If there is one thing I am, it is very hard-headed. If I want something, I go after it - and I go after it ad nauseum.
My main thing is being comfortable and looking like myself. But to be honest, what I wear is pretty much the last thing I think about.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
I never want to feel complacent, and I had started to, a little bit. I had started to feel like "I have this thing I can do, it's worked a few times," but not only does that get boring, but you feel stagnant and unproductive. So I was feeling a lack of creativity and motivation, so I started making a more conscious choice to grow personally. It wasn't even an image-conscious thing, like, "I don't want people to think this way about me." It was really just a way to keep myself energized and feel excited about this thing I love doing. Like I went to couples therapy or something.
I want to thank the Arsenal fans who've always supported me. But I can't apologise for my decision to leave. I want to get more out of myself. I felt the main thing was taking myself out of my comfort zone. That's why Liverpool shouted out for me.
I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.
I apologise to whoever I have caused hurt, whoever I have not made feel comfortable enough. I apologise for not being able to communicate my intent. I apologise for not being able to make someone feel that I am the man that I have aspired to be and I believe I am.
I think there's just been this "thing" that's developed, this way that we have of talking about our music that alienates people. And I fall into that too! I learned that in graduate school. You just talk about your music in a specific way, and that separates people from you. But some composers like that. Schoenberg liked that. He wanted to feel that he was making music for an elite few. That's fine for him, but I want to set myself free from that sort of attitude.
I feel like this thing [that] we're rocking back and forth like we're stuck in a snow bank and we all sort of know it. I feel like people are getting less and less pretentious and less and less hip - hopefully.
This site uses cookies to ensure you get the best experience. More info...
Got it!