A Quote by Phyllida Lloyd
One is always attracted to pieces of theatre with great roles for women.
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What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I've liked different women at different times in my life. I've been attracted to white women. I've been attracted to black women. I've been attracted to Asian women. I've been attracted to various subspecies of women. I can say with gratitude that I've been able to experiment.
The roles that I always get attracted to are roles where the material is based on an actual person.
Women who have understood fashion and style for so long have always known it's not about having more pieces. It's about having the right pieces and having the pieces that are of a great quality and look like you know what you're doing. You don't have to have a million things on.
We need to encourage more women to write roles for other women. The great substantive roles aren't being written for women and aren't being produced and directed by women.
I'd quite like to do a film but I'd also love to do more theatre. I want to keep challenging myself with good roles. It's harder for women because there aren't as many challenging roles.
I figured as I got older, the good roles for women would be in the theatre. So 15 years ago I started building a Broadway career to try and develop the chops to be accepted as a great theatrical actress.
I think it's a great thing that women went out in droves to see Sex and the City movie. I think it's wonderful and I think women have always shown they're looking both to be entertained and challenged in a theatre. I don't think women are afraid of movies that make them think; make them feel sad. The movies that I've been associated with are not exactly Sex and the City but women are leading the way to the theatre on those. They used to call it a date movie where the girl gets to choose.
The roles for women in theatre are much better than they are in film.
Theatre, in which actors take on changing roles, has among its many functions the examination of identity. For the individual, theatre is a kind of identity laboratory in which social roles can be examined vicariously.
I'm always attracted to anti-hero roles.
I think it's always hard to find great roles, no matter what age you are. So I always say to people, 'You have to remember that Hollywood is in the business of making movies that they can sell tickets to; they're not in the business of finding great roles for actors.'
I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.
I'm just attracted to good material and great characters and that can come in any form, whether it's television or film or a theatre piece.
It's difficult for me to trust a woman. Men are attracted to beautiful women. Women are attracted to men who offer security - financial security. And if you have money and you're famous, women find that sexy.
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