A Quote by Phyllida Lloyd
I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions.
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I never wanted to write 'Mamma Mia!' or 'The Book of Mormon' - they're not my thing, I don't care about them. What I do is very different.
In the not-for-profit world, I never felt that being female was an impediment. I was, however, given my break into commercial theatre by a female producer, Judy Craymer, and women - in particular, Donna Langley, president of production at Universal - were crucial in giving 'Mamma Mia' a home in Hollywood.
I didn't really realize I was a woman director until I walked onto the set at Pinewood Studios when I did 'Mamma Mia!' and everybody was calling each other 'Governor' and 'Sir'... and then, looking at me, 'Well... good morning!'
'Mamma Mia' and 'Dallas' have proved to me that the things you dream about can happen. I don't ask myself, 'How did I get here?' but instead, 'I deserve to be here. I was right to think this would happen.' I'm a firm believer in the power we have in our minds to want something and pursue it in a sane and focused way.
In a way, 'Mamma Mia!' was such a left-field thing for me.
It was extraordinary to experience 'Mamma Mia!' What an injection of good spirit and heart it was.
Meryl's Donna embodied the spirit of ABBA and 'Mamma Mia!' in the first film.
I think I might be one of the only people in America, or at least the only person I know, who saw both 'The Dark Knight' and 'Mamma Mia!' on their shared opening weekend.
I sort of wrongfully judged 'Mamma Mia!' for so long. I thought of it as a jukebox musical that I wasn't interested in. I was so wrong.
Most theatrical events range in the inaudible. When I went to see 'Mamma Mia,' I thought they were playing it through a megaphone.
I'll tell you how it happened. The phone rang. Paul, my agent, goes, 'Would you like to play Meryl Streep's?' I said, 'Yeeees! I'll do it, whatever it is.' He said, 'It's Mamma Mia!.' I said, 'Oh no, which character? The fat friend?
I used to go to musicals every birthday - that was my birthday present. We'd go to London, me and my two brothers and mum and dad. I think I saw 'Mamma Mia' about five times.
OMG, I have my 'Mamma Mia!' playbill framed in my bedroom. It was magical! I totally cried... a lot! I remember collecting playbills my entire life, and then to be in one... I have no words.
I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.
Doing 'Mamma Mia' was scary full stop, so playing a young Colin Firth was even more intimidating. I just had to keep reminding myself that I was playing Harry and not Colin Firth, which psychologically felt better.
In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
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