A Quote by Phyllida Lloyd
In the theatre in the U.K., women are at the very top of the tree as freelance directors.
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It's not that writing staffs don't change at all, but they don't change very much. Directors are freelancers. There are directors who do five or 10 episodes of a show every year for years, but most directors are freelance, they come and go.
On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
All drama teachers are very effusive, very emotionally open, very big, and gesticulate a lot, and are very physical. Those people don't work in banks and they don't work for pharmaceutical companies. They teach drama, or they may be theatre directors. That's why I love people who are openly gay in theatre, because they have license to do what they like, and there's a kind of artistic liberal tolerance thing that goes on.
My whole family is very artistic - my uncles are all actors and theatre directors.
I applied for 'Korea's Next Top Model 2' when I was a freelance model, but I dropped out right after making it to the top 30. It left a resentment in my heart.
My biggest advice for women writer/directors is to always be attempting to make work that avoids pandering to the conceptions that the industry has put in place for "women directors."
As the woodpecker taps in a spiral quest
From the root to the top of the tree,
Then flies to another tree,
So have I bored into life to find what lay therein,
And now it is time to die,
And I will fly to another tree.
Let's build women's football from the bottom before we get to the top; it's not about building from the top to get to the bottom. We can talk about the Etihad and Man United's ground, the Theatre of Dreams, in a few years' time. Let's fill the Academy Stadiums, the Kingsmeadows, first of all.
When I started in the business there were no women in executive positions, no women producers or directors and certainly no camerawomen and we were destined to do very archetypal roles, very cliched things, so I was a dizzy blonde for years.
I'm pretty freelance. A freelance meditator. I float from one thing to the other.
I certainly don't sit down and plan a book out before I write it. There's a phrase I use called "The Valley Full of Clouds." Writing a novel is as if you are going off on a journey across a valley. The valley is full of mist, but you can see the top of a tree here and the top of another tree over there. And with any luck you can see the other side of the valley. But you cannot see down into the mist. Nevertheless, you head for the first tree.
The more women directors that get hired, the more practices will shift, top down.
I was a freelance journalist, and it was a struggle because I had to pitch all the time, research, and stay on top of subjects.
I'll put it this way: with the kind of films that I do - creatively driven, with interesting directors and writers - I don't feel the need to work with the super established, top-tier directors that are out there.
I love directors who aren't going back to the stereotypes, who are helping write and create roles for women that are not in the typical Hollywood box. I'm very, very interested in films that are going outside of stereotypical roles for women.
so, when I spotted a cougar stretched out on a thick pine tree branch near the park gates, I wasn't surprised. I can't say the same for the women clinging to the branch above the cat. she was the one screaming. The cougar-a ragged-ear old top I clled Marv-just stared at her, like he couldn't believe anyone would be dumb to climb a tree to escape a cat.
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