A Quote by Pia Wurtzbach

What I really like about Ultherapy is that it's really convenient. You only have to do it once a year for 45 minutes. That's really fast. — © Pia Wurtzbach
What I really like about Ultherapy is that it's really convenient. You only have to do it once a year for 45 minutes. That's really fast.
I really believe in albums, even though some people believe the year of the album has passed. I love singular pop songs or tracks, but what really affects me most deeply is if there's an hour of music or 45 minutes of music that flows really well and tells a story.
When I first got sick, they told me I had a year to live, and I was writing my memoir really fast. There were really weird things happening with my nervous system and my heart and stuff, and it didn't look like I was gonna make it, so I was writing really fast, and then I couldn't write anymore.
Music is like a really sacred, awesome thing. That first 45 minutes to two hours that you're on stage spending time with music every night is always really great.
My only verse I remember really working on was 'Mixtape,' and I took 45 minutes on that because I wanted it to be tight.
One of the things I really like about TV is the family, the maintaining of the family camaraderie. Film has it, too, especially when you're on location. It's like summer camp. You'll get really close, really fast. But, then you'll have to say goodbye.
It's really, really easy to make excuses as to why we can't go to the gym. If you can find time to sit in front of the TV for 45 minutes, you can find time to work out.
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
Honestly, for me only playing 14 minutes my rookie year and breaking my leg. To be able to play all 82, that was really cool for me... That was, for me, a huge accomplishment. Something I'm really proud of for sure.
But 'Cuban Linx' was a project that really needed to come, and I really wanted to get it off my chest because I know that the fans were really skeptical about it, like 'is this really gonna be what it's supposed to be?' So once everybody caught it for what it was and everybody was happy, that's mission accomplished for me.
Someone once told me: 'Luck is when opportunity meets preparation'. And that's what I really feel with my music. I've worked really, really hard on it. It was like, 'this is really what I want to do.. what do I have to do to make it work?'
If people really, really like what we make, 10 minutes after we upload it, we start thinking about new videos.
My best race is the 100 fly, but for the 50 you just have to go really fast one way so I really like it too. It's not the same strategy. For the 50 I just breathed once, so it's really different from the 100 fly.
[Voicing a cartoon] feels like going down a mysterious but joyful black hole. Once you relax for 15 or 20 minutes, and really go, "I don't care if I look like an ass," it's really fun to see what happens. You know that nothing is being visually judged.
I think it's really, really good for me to be on stage once a year. It keeps your chops good. There's nothing else like it.
If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.
I was skiing fast in training, but that really doesn't count for anything until you actually do it in a race. So to finally get to prove how fast you are skiing is an added bonus that goes along with winning the first race of the year. Any race win is a good win. I don't really care where it is. I've been on the podium a bunch of times here, but it's always good for your confidence to start off the year with a victory.
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