A Quote by Pia Wurtzbach
I'm a risk-taker because I don't have a lot of experience in putting up a business before - I didn't really learn about this in school - but I still choose to do it, especially since I'm now getting good advice from people around me.
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I'm not a huge risk taker. I think that, for me, I take certain kinds of risks, but if you look at me, you wouldn't say I was a big risk taker. I'm not going to jump out of an airplane and parachute and things like that. That's not really me.
I think since I was in drama school, I wanted to direct in the theatre. When you are an actor, you just have to open your eyes and you start to learn a lot about how to survive on set and what's important and how to tell a story. Directing is really about putting yourself out there, to be slapped in a way. You know that in the kitchen, you're gonna get burned. It's very scary but very exciting as well. If you have something to say, you have nothing to lose and you probably learn from the experience.
When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.
The Muslim women that I have met are super-powerful and amazing and smart and they are, they're not allowing themselves to be held back by the laws that exist. And you know, the Internet exists now, and mobile phones are freeing up stuff. I have a really good friend who's from Iran and a really good friend who's from Kuwait, and they talk about getting music on the black market and how that's such an intense, amazing experience. And how they value the music so much more, because it's such a risk to own it.
I'm much more of a risk taker. I'm more fearless now than when I was 18. I was much more self-aware and I cared too much about what people thought of me and now I really don't. I probably should.
I think Splash made people realize that I was still alive, and I think I inspired a lot of people. I have people coming up to me all the time in the airport saying, "Hey, you inspired me to learn how to swim!" "You inspired me to start moving around more." "You inspired me to start doing more for myself." So that was good. But mostly I took it because nobody had given me a job. And you know what really matters in life, right?
When people ask me for advice about when to come out, it's really about, before you do that, building a circle of support that can strengthen you through that experience. For me, it was my friends. There were people on 'My So-Called Life' that really helped guide me.
I have good people around me, so I always have advice. A lot of people can talk to me, but it's me, of course, who still has to take that to the track and to perform.
Partly I think it's always a challenge to travel a lot. If I could choose to never travel again but still do all my shows - I mean, who wouldn't want to do that? That's the work aspect of it. Maybe people don't think about it this way, but it makes it feel like a job when you're playing late and getting up really early for a lobby call, and flying around.
A life lesson for me is, how do you muster the courage to take on a new risk? Whether it's starting up a business or taking on a new project or expedition. I think the risks that we take are all relative to the risk-taker.
No matter what level you're starting at, it's about not only utilizing your time, but your resources and network. For me, I started my company with a small amount of savings; I never had investors and I was lucky in the sense that I had models and connections in the fashion industry who were willing to give me advice early on. So really, for anyone starting a new business, it's really important to seek out mentors and knowledge from those who have come before you. And to not let that be discouraging, but to take that advice and really learn from it and mold it to what you're trying to do.
I do enjoy having researchers and writers around me because I am getting a lot of different influences now from the opposite sex, different races, people of different ages, who are helping write the routines. So I am seeing things from other people's perspectives, which I never really had to do before.
This is a competitive business - there are a lot of women who want these jobs, but experience, education, and smarts go a long way. I'm still figuring it out - I learn new things every day. Once you stop learning, you should get out of the business. It's just really about being hungry for more.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
I get advice from all the producers who have come out of Memphis. They just give me advice on the business side, because that's most important besides the actual music. Just staying at a point I know I can't mess myself up. I just got to be put up on game about it. Drumma Boy and Memphis Track Boy taught me a lot.
The biggest piece of advice I would give to other women and girls is that it's really hard, and I feel like we're promised in like these phrases like, "Never give up," and stuff like that, it's going to be easier if you just listen to them. In my experience, and I think the experience of my friends and other women around me, it's a lot - you have to do a lot for yourself because the world isn't as friendly to women and girls as it should be, and it's not as helpful as it should be.
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