A Quote by Pittacus Lore
Are you sure you want us to keep calling you 'Six'?" "You can say it's short for something." "For what? Sixty?
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I don’t know; I still like the name Six. Maren Elizabeth was when I was a different person, and right now Six just feels right. It can be short for something if someone asks.” Sam looks over. “For what? Sixty?
One attribute of the human being is the potential to keep on growing, to keep on developing. And I think there's room in each of us. I hate to hear someone say, oh well, that man or that woman is sixty or seventy or eighty or ninety or a hundred, so he's finished. There's always something that can be transformed on the upward spiral.
At age nine, I got a paper route. Sixty-six papers had to be delivered to sixty-six families every day. I also had to collect thirty cents a week from each customer. I owed the paper twenty cents per customer per week, and got to keep the rest. When I didn't collect, the balance came out of my profit. My average income was six dollars a week.
That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that...they say anything's possible, right?
I'm a guy who likes to keep fighting five, six times a year, so if I ask for too much money, they might say, 'Well, we pay you too much. We can't let you keep jumping backwards and forwards and promote it.' The money I'm making is good to keep grabbing short-notice fights. I love them; they're my favorite ones.
Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character "X." I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.
I want to bring something where I'm going to help us create goal-scoring opportunities. Whether that's me just being able to play short passes to take out their front players or lead from the back and communicate in making sure that we're all organized so that when we're attacking, they don't have a chance to counter-attack us.
It's better to be known by six people for something you're proud of than to be known by sixty million for something you're not.
All of us have problems. We face them every day. How grateful I am that we have difficult things to wrestle with. They keep us young, they keep us alive, they keep us going, they keep us humble. Be grateful for your problems, and know that somehow there will come a solution. Just do the best you can, but be sure it is the very best.
We do not want to repeat ourselves [in Doctor Strange] or do what's been done before necessarily, and when you have a track record now you can either do that and keep, this seems to work and let's keep doing this - which some people accuse us of no matter what, because I don't think they pay attention, but really what we do is say, 'Okay, we have a studio that trusts us and let's us do what we want for the most part with the creative.
Because a football game is just sixty minutes, but I'm training six, seven hours in every day. So, going for sixty minutes becomes easy. More importantly, I think that your muscles mature and can move in all different directions.
Why do we tell stories? It's because we want to connect to people, we want to tell them who we are, we want to tell them a story that affects us, that impacts us. And to help a young filmmaker doing a short or independent film is my testament, I think, is my desire to really make sure that our younger generations get passed along all the elders' experience and to literally have the image - to literally carry them on their shoulders and say, 'This is what the world is. This is how the world operates. Let me show you how.'
So many entrepreneurs approach me and say, 'I want to start the next big thing,' and I say, 'Well, what are you solving?' And oftentimes they say, 'Oh, I'm not sure. I want to start something big.' You can never start something big without solving something small, right?
That night we made love "the real way" which we had not yet attempted although married six months. Big mystery. No one knew where to put their leg and to this day I'm not sure we got it right. He seemed happy. You're like Venice he said beautifully. Early next day I wrote a short talk ("On Defloration") which he stole and had published in a small quarterly magazine. Overall this was a characteristic interaction between us. Or should I say ideal. Neither of us had ever seen Venice.
We've got to be able to have a conversation and recognize we're all Americans; we all want the best for this country. We may have some disagreements in terms of how to get there, but all of us want to make sure that our economy is strong, that jobs are growing. All of us want to make sure that people aren't bankrupt when they get sick. All of us want to make sure that young people can afford an education.
I do not make films primarily for children. I make them for the child in all of us, whether we be six or sixty.
