A Quote by Polly Allen Mellen

They were enormously chic. My father was very chic. My mother was a heavy woman and she wore wonderful, bright colors, and pajamas, but when she was in town or in New York City or in Paris, she would wear navy blue or black. But there was a flamboyance to both of them.
You can be very feminine and be a leader. Christine Lagarde, she's very chic and she dresses very well, and she's a woman. And she has a lot of power.
My mother worked for more than a decade before marrying. She went to New York City to get a master's degree. And she continued to work as a teacher and a principal until she was forced to retire.Both she and my father instilled in my sister and me a deep love of learning.
My mother was told she couldn't go to medical school because she was a woman and a Jew. So she became a teacher in the New York City public school system.
My father was a dark-skinned brother, but my mother was a very fair-skinned lady. From what I understand, she was Creole; we think her people originally came from New Orleans. She looked almost like a white woman, which meant she could pass - as folks used to say back then. Her hair was jet-black. She was slim and very attractive.
I liked Nicole Kidman because she is so fashionable she can do less is more. It was very, very simple, but it was so chic. Some people thought she looked washed out, I didn't at all.
Aaliyah revolutionized what it was to be a young black woman in America. She made it OK to be a nerd and to be a tomboy. She made it OK to wear leather and chains. She was the first black girl with an ombre. She was so far ahead of everything and everyone. It was just who she was. She was an innovator, but she didn't even realize it.
My father emigrated from Lithuania to the United States at the age of 12. He received his higher education in New York City and graduated in 1914 from the New York University School of Dentistry. My mother came at the age of 14 from a part of Russia which, after the war, became Poland; she was only 19 when she was married to my father.
Stella McCartney, not only is she a designer, she is a mother of four, and she lives for practicality. She understands what a woman needs to wear to work and what a woman needs to wear when it's time to go out and put on the Ritz!
My mother really held the family together. She was a perfect example of the kind of black woman I would love to see again. She ruled my father with an iron hand, yet she barely ever raised her voice above a whisper.
My mother was a big influence; she was exceedingly chic, completely dressed in a completely different manner than I did. I was a child of the Depression, so she taught me all about accessories, and I always tell everybody she worships at the altar of the accessory.
Hillary Clinton flew with President Bush to New York City on Tuesday. She was amazed at the changes aboard Air Force One. For eight years she believed that flight attendants couldn't wear clothes because it made the plane too heavy.
Alia was a very obedient child. The only thing she was fussy about was what dress she wore. I would have to give her choices, and she would pick her dress out knowing very well exactly what she wanted to wear.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
My mum used to wear the guys' Chesty Bonds tanks, and I used to end up wearing them after she'd finish with them. She's a painter, and they would be covered in paint splatters. She would wear them and wear them until they were super-soft, and then I'd get them. But I was just a kid, so they were like a dress on me.
Patti [ Scialfa] was an artist and a musician and she was a songwriter. And she was a lot like me in that she was transient also. She worked busking on the streets in New York. She waitressed. She had - she just lived a life - she lived a musician's life. She lived an artist's life. So we were both people who were very uncomfortable in a domestic setting, getting together and trying to build one and seeing if our particularly strange jigsaw puzzle pieces were going to fit together in a way that was going to create something different for the two of us. And it did.
I was used to theatre classes. I studied with my mother; she was a theatre teacher and directed, too, so it was very family-like. Then I studied with a great teacher in Paris, and she was wonderful; she pushed me, but she was a warm soul.
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