A Quote by Pooja Hegde

Women-centric films are being made, and they are doing well. — © Pooja Hegde
Women-centric films are being made, and they are doing well.
I don't believe in women-centric films, but I certainly believe that we should create films that have more challenging roles for women and I definitely will have that in all my films.
I wish that there were more female driven films, female-centric films being made.
In Hollywood as well as other countries, there's an increasing number of films that women can lead in, which is really welcoming news, and I'm really happy to be able to film a women-centric movie.
I do not want these women-centric films, or... what's that term? ...mahila-pradhan films as everyone calls them.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
I think 'NH10' could have been done equally well by anybody else, and it's not a 'female-centric' or 'male-centric' film. It's the story that will appeal to the audience.
I think female-centric films shouldn't be only about thriller or horror. Angelina Jolie has been doing all kinds of stuff.
It is a pity to make a mystery out of what should most easily be understood. There is nothing occult about the thought that all things maybe made well or made ill. A work of art is a well-made thing - that is all. It may be a well-made statue of a well-made chair or a well-made book. Art is not a special sauce applied to ordinary cooking; it is the cooking itself that is good. Most simply and generally, Art may be thought of as "The Well Doing of What Needs Doing."
There’s something very important about films about black women and girls being made by black women. It’s a different perspective. It is a reflection as opposed to an interpretation, and I think we get a lot of interpretations about the lives of women that are not coming from women.
When I see good films not doing well, irrespective of my role being appreciated or not, I have a problem because then the producer who has made a loss will never believe in investing in good cinema.
Some films do portray women in their 40s well, and some other films don't. Some films are written by women, so maybe there's a little more accuracy there.
With films like 'NH-10' and 'Phillauri,' what Anushka Sharma is doing, or what Shraddha Kapoor and Vidya Balan are doing with their films, the industry is changing for women.
There's something very important about films about black women and girls being made by black women. It's a reflection as opposed to an interpretation.
We know of instances of stage plays being made into films. But I really think that all Tamil films can be staged; I'd like to take up K. Balachander's films and do that.
As Gloria Steinem said about Ginger Rogers: She was doing everything Fred Astaire was doing, just doing it backwards in high heels. Well, Southern women are doing and enduring what other women have to do and endure, but (at least until recently) they had to do it in heels and hats and white gloves and makeup and a sweet smile, with maybe a glass of bourbon and a cigarette to get them through the magnolia part of being a steel magnolia.
Women directors in India have mostly made niche films. Naturally, those films have a limited market.
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