A Quote by Pope Alexander VI
Oh what would Rome be without a plot?
Related Quotes
Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
We'll go on vacation, but we don't really care to go see Rome or anything. We just want to play dominoes. We like the fact that we can say, 'Oh, we went to Rome.' 'Well, what'd you do in Rome?' 'Played dominoes'.
If we could survive without a wife, citizens of Rome, all of us would do without that nuisance.
Oh sky, without me, do not change, Oh moon, without me, do not shine; Oh earth, without me, do not grow, Oh time, without me, do not go. ...Oh, you cannot go, without me.
An idea has no worth at all without believable characters to implement it; a plot without characters is like a tennis court without players. Daffy Duck is to a Buck Rogers story what John McEnroe was to tennis. Personality. That is the key, the drum, the fife. Forget the plot.
Oh external worshiper, know that worship without heart is motions. Oh seeker of knowledge, know that knowledge without purification is a dangerous weapon of the ego. Oh activist, know that work without orientation of heart is fruitless. Oh lover, know that love without God is pain.
I think it goes without saying that young would-be playwrights in developmental workshops should be so lucky as to write plays as good as 'Waiting for Godot,' 'Uncle Vanya' or 'King Lear,' none of which would have existed without a decent plot.
[The] events by which the fate of nations is not materially changed, leave a faint impression on the page of history, and the patience of the reader would be exhausted by the repetition of the same hostilities [between Rome and Persia], undertaken without cause, prosecuted without glory, and terminated without effect.
Artists will sometimes speak of Rome with disparagement or indifference while it is before them; but no artist ewer lived in Rome and then left it, without sighing to return.
I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.
Each, in its own way, was unforgettable. It would be difficult to - Rome! By all means, Rome. I will cherish my visit here in memory as long as I live.
If we could survive without a wife, citizens of Rome, all of us would do without that nuisance; but since nature has so decreed that we cannot manage comfortably with them, nor live in any way without them, we must plan for our lasting preservation rather than for our temporary pleasure.
I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.
I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.
And I myself, in Rome, heard it said openly in the streets, "If there is a hell, then Rome is built on it." MARTIN LUTHER, Against the Roman Papacy, An Institution of the Devil London is the epitome of our times, and the Rome of to-day.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
