A Quote by Prabhu Deva
'Que Sera Sera' had a very unusual rhythm. It was a challenge for me to pick up Rahman's beats and translate them into dance steps.
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Madhuri did the moonwalk in 'Que Sera Sera' perfectly. We didn't think it would become so iconic.
I want to do good for Israel. My philosophy is let's do good stuff, and let's see what happens. And que sera, sera.
I had been choreographing and dancing for a good 12 years before I did 'Que Sera Sera' for Boney Kapoor. I did it for two reasons - one, I shared a good rapport with Boney, and the more important reason, Madhuri Dixit.
I don't shop beats. That was never my method coming up. I think it's very strange to have a CD of 30 or 40 beats and then just pick one.
Now I am going to reveal to you something which is very pure, a totally white thought. It is always in my heart; it blooms at each of my steps... The Dance is love, it is only love, it alone, and that is enough... I, then, it is amorously that I dance: to poems, to music but now I would like to no longer dance to anything but the rhythm of my soul.
Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.
Maybe the only thing that hints at a sense of Time is rhythm; not the recurrent beats of the rhythm but the gap between two such beats, the gray gap between black beats: the Tender Interval.
New steps. That's what it amounted to. The two of them were learning the steps that would bring them together, a dance that would take them into forever. A dance that could be nothing less than God's plan for their lives.
Music is universal too. Even deaf people like to dance, love rhythm, and can kind of pick it up.
There are those who dance to the rhythm that is played to them, those who only dance to their own rhythm, and those who don't dance at all.
I am very straightforward. If I have something to communicate about dance steps, I just go up to the actor and tell them my thoughts. Language is never a problem.
The short bloom of our brief and narrow life flies fast away. While we are calling for flowers and wine and women, old age is upon us.
[Lat., Festinat enim decurrere velox
Flosculus angustae miseraeque brevissima vitae
Portico; dum bibimus dum sera unguenta puellas
Poscimus obrepit non intellecta senectus.]
When Derek Miller and I started working together, we had a very clear vision for the sound of the band. It was one which combined our favorite musical elements: driving guitars, bombastic beats, and female vocals. We've always been interested in making music that is essentially pop but that steps outside of the traditional formula into a stranger, more abrasive world. We love that our music makes people dance with complete abandon and feel empowered. It's very uninhibited music, and that's what makes it so fun.
Non est, crede mihi, sapientis dicere 'Vivam':
Sera nimis vita est crastina: vive hodie.
Believe me, wise men don't say 'I shall live to do that', tomorrow's life is too late; live today.
Variant translation: Tomorrow will I live, the fool does say; Today itself's too late; the wise lived yesterday.
Artists are the people that no matter what, pick up the pen, pick up a paintbrush. They take the time to translate what is happening to create something that resonates deeply with the rest of the people that are caught in the middle of their own reality.
On the whole, at least in the author's experience, the preparation of species-specific antiserum fractions and the differentiation of closely related species with precipitin sera for serum proteins does not succeed so regularly as with agglutinins and lysins for blood cells. This may be due to the fact that in the evolutional scale the proteins undergo continuous variations whereas cell antigens are subject to sudden changes not linked by intermediary stages.
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