A Quote by Prabhu Deva
A lot of heroines ask me to make the dance steps easier.
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We cannot make another person change his or her steps to an old dance, but if we change our own steps, the dance no longer can continue in the same predictable pattern.
Some people say heroines just have to look good and provide the glamour. Some say, from dance-n-song routines, heroines have come a long way. Today, the heroine's name adds weight to the film, though maybe they can't carry the whole film on their names. I believe, yes, we do contribute a lot to films.
In most of my stories, I give a lot of importance to heroines. My heroines are not just glamour dolls.
I'm very lucky because people send me a lot of stuff and post cool articles and pictures on my wall, which does make life a lot easier for me. When we were at 60,000 or 100,000 'likes,' I was still having to source the content myself, and I was constantly trolling the Internet, whereas now things are sent to me, which does make it a lot easier.
I do kind of marvel at my journey. But at the same time, I look back at a lot of the steps, and maybe not every step, but a lot of the steps, and since I was 12 or 13, I look at the people who helped me and the moments that were inspirational to me, and you can recall what my mindset and what my make-up was at that time to try and be the best.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
I dance for no reason, for reasons you can't dance, Call me an activist of intellectualized circumstance You can't learn my steps until you unlearn your thoughts Spirit, soul, can't be store-bought.
New steps. That's what it amounted to. The two of them were learning the steps that would bring them together, a dance that would take them into forever. A dance that could be nothing less than God's plan for their lives.
We're not like the distance guys. I have a very simple approach. I don't overcomplicate. People ask me, are you doing 42 steps, 44 steps for 100 metres? I don't know.
I'm not bragging but I used to be rather beautiful, with lovely legs, and people would always ask me to dance. But suddenly people didn't take any notice of me any more. I was at a party in my 50s and was forced to dance with a chair because nobody wanted to dance with me.
When you take dancing lessons, you learn steps and you learn steps and you learn steps. It can go on for a long time. And then one day, you just learn to dance, and it is so different.
Place and displacement have always been central for me. A type of insecurity goes with that: you are always following the cues, like learning the dance steps when the dance is already under way.
So if the dance is five minutes long, make yourself run for perhaps eight minutes. That way, you over-train and the dance will seem easier.
'ABCD' is an out-and-out dance film. I also dance in the film. I must say you would see better dancers than me in this film. It was very tough for me to match their steps.
Salomé, Salomé, dance for me. I pray thee dance for me. I am sad to-night. Yes, I am passing sad to-night. When I came hither I slipped in blood, which is an evil omen; and I heard, I am sure I heard in the air a beating of wings, a beating of giant wings. I cannot tell what they mean .... I am sad to-night. Therefore dance for me. Dance for me, Salomé, I beseech you. If you dance for me you may ask of me what you will, and I will give it you, even unto the half of my kingdom.
I was never interested in roles where I would have to dance and romance heroines.
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