A Quote by Princess Stephanie of Monaco

The circus was born with animals, horses at the start. This is part of our cultural heritage. It's a whole, with clowns and acrobats. — © Princess Stephanie of Monaco
The circus was born with animals, horses at the start. This is part of our cultural heritage. It's a whole, with clowns and acrobats.
You ask people, 'What is the circus?' They'll say, 'Animals, clowns and acrobats!' That's what people want. If you say you don't have animals, they walk away.
When children see animals in a circus, they learn that animals exist for our amusement. Quite apart from the cruelty involved in training and confining these animals, the whole idea that we should enjoy the humiliating spectacle of an elephant or lion made to perform circus tricks shows a lack of respect for the animals as individuals.
I enjoyed clowns when I was a kid going to the circus. Mainly I mean the good clowns, when you go to a circus.
I like the clowns from the circus that have more paint on their face. They were all funny and made me laugh. As a kid, I remember the clowns that were all in white reminded me more of death than circus clowns. It can be a scary thing.
People can relate to horses. Horses, I think, are basically in our genetic history. Horses were part of our culture, part of our collective society, for hundreds of years, and so, the horse is one of the most familiar animals to people of any race or culture or country.
Writers like John T. Edge, whose work is all about the cultural histories behind food, have done so much to show that these stories are a really vital part of our cultural heritage.
In the beginning, I had to trust that these acrobats were great at what they did and that they wouldn't come crashing down on my head. But our company is the best of the best; they can do everything. That's been the most exciting part of the show-incorporating the magic and the acrobats and the singing and dancing to make our Pippin.
Happiness is a very proud word of our whole cultural heritage.
The sickly cultural pathos which the whole of France indulges in, that fetishism of the cultural heritage.
Our family holidays always include our animals. On Thanksgiving, we love to walk around our farm and visit with our rescued pigs, goats, horses, emus and many other rescued animals. We give them all special vegetables that day, and the whole family enjoys a vegetarian Thanksgiving dinner. We know that the animals are giving thanks that day, and we are also giving thanks for the joy they bring to our lives.
In the Stephen Sondheim song, when something bad happens in the circus, they send in the clowns. In America's political circus, they send in the lawyers.
No clowns were funny. That was the whole purpose of a clown. People laughed at clowns, but only out of nervousness. The point of clowns was that, after watching them, anything else that happened seemed enjoyable
I think one can live in American society with a certain cultural heritage, whether it's an African heritage or other, European,what have you, and still absorb a great deal of this culture. There is always cultural assimilation.
We have been the benefactors of our cultural heritage and the victims of our cultural narrowness.
I didn't really grow up with any traditions. I grew up in a pretty liberal household in Southern California. I think that's part of my interest in thinking about heritage. I don't have a second language or cultural heritage in that way.
Now the freaks are on television, the freaks are in the movies. And it's no longer the sideshow, it's the whole show. The colorful circus and the clowns and the elephants, for all intents and purposes, are gone, and we're dealing only with the freaks.
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